[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:so-tender":3},"title: So Tender\ncomposer: Keith Jarrett\nstyle: Even 8ths\nkey: A\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; A\n\nsection: A\n# area: A major (A 1–4)\n1  | AMaj7     # tonic: the 4th is in the key\n2  | F#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | G#m7      # a borrowed minor chord: Dorian, its own key\n4  | Gm7       # a borrowed minor chord: Dorian, its own key\n# area: E major (A 5–9)\n5  | F#m7      # ii of the ii–V to E\n6  | B7        # V7 of E: natural tensions\n7  | EMaj7     # tonic: the 4th is in the key\n8  | C7#5      # V7 of F7b9#5, on the way to Bb minor: b9 and b13 are in the key, the #11 from the symbol\n9  | F7b9#5    # V7 of Bb minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n# area: Ab major (A 10–12)\n10 | Bbm7      # ii of the ii–V to Ab\n11 | Eb7b9     # V7 of Ab: the b9 from the symbol\n12 | AbMaj7    # tonic: the 4th is in the key\n# area: Bb major (A 13 – B 10)\n13 | Cm7b5     # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | F7b9      # V7 of Bb: the b9 from the symbol\n15 | BbMaj7#5  # from the symbol: #5\n16 | BbMaj7    # tonic: the 4th is in the key\n\nsection: B\n1  | Em7b5     # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b13     # V7\u002Fiii in Bb: b9 and b13 are in the key\n3  | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Dm7\u002FC     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Bbm7      # ii of Eb7: Dorian\n5  | Eb7       # extended ii–V: a side-step, its own key\n6  | A7b13     # V7\u002Fiii in Bb: b9 and b13 are in the key\n6  | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Bm7       # a borrowed minor chord: Dorian, its own key\n8  | BbMaj7    # tonic: the 4th is in the key\n9  | AMaj7     # a non-tonic major chord: Lydian\n10 | F#m7      # a borrowed minor chord: Dorian, its own key\n# area: A major (B 11–16)\n11 | Bm7       # ii of E7: Dorian\n11 | E7        # V7\u002FI in A: natural tensions\n12 | C#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | F#7b9     # extended dominant: V7 of B13sus; b9 from the symbol\n13 | B13sus    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n13 | B13       # II7 in A, not resolving: natural tensions\n14 | Bm7       # ii of the ii–V to A\n14 | E7        # V7 of A: natural tensions\n15 | AMaj7     # tonic: the 4th is in the key\n16 | BMaj7#11  # from the symbol: #11\n",1793575900774]