[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:so-sorry-please":3},"title: So Sorry Please\ncomposer: Bud Powell\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – B 7)\n1 | Eb6    # tonic: the 4th is in the key\n1 | Cm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Fm7    # ii of Bb7: Dorian\n2 | Bb7    # V7\u002FI in Eb: natural tensions\n3 | Gm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | C7     # V7\u002Fii in Eb: the b13 is in the key\n4 | Fm7    # ii of Bb7: Dorian\n4 | Bb7    # V7\u002FI in Eb: natural tensions\n5 | Bbm7   # ii of Eb7: Dorian\n5 | Eb7    # V7\u002FIV in Eb: natural tensions\n6 | Ebm7   # ii of Ab7: Dorian\n6 | Ab7    # tritone substitute: resolves down a half step to Gm7\n7 | Gm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | Gb7    # tritone substitute: resolves down a half step to Fm7\nalt 7 | G7     # V7 of C7, on the way to F minor: b9 and b13 are in the key\nalt 7 | C7     # V7 of F minor, the chain's last link: b9 and b13 are in the key\nalt 7 | Fm7    # ii of Bb7: Dorian\nalt 7 | Bb7    # V7\u002FI in Eb: natural tensions\n8 | Fm7    # ii of the ii–V to Eb\n8 | Bb7    # V7 of Eb: natural tensions\nalt 8 | Db6    # ♭VII6, borrowed from Eb minor: Lydian (its ♯11 is in the key)\nalt 8 | D6     # a non-tonic major chord: Lydian\nalt 8 | Eb6    # tonic: the 4th is in the key\n\nsection: A2\n1 | Eb6    # tonic: the 4th is in the key\n1 | Cm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Fm7    # ii of Bb7: Dorian\n2 | Bb7    # V7\u002FI in Eb: natural tensions\n3 | Gm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | C7     # V7\u002Fii in Eb: the b13 is in the key\n4 | Fm7    # ii of Bb7: Dorian\n4 | Bb7    # V7\u002FI in Eb: natural tensions\n5 | Bbm7   # ii of Eb7: Dorian\n5 | Eb7    # V7\u002FIV in Eb: natural tensions\n6 | Ebm7   # ii of Ab7: Dorian\n6 | Ab7    # extended ii–V: a side-step, its own key\n7 | Fm7    # ii of the ii–V to Eb\n7 | Bb7    # V7 of Eb: natural tensions\nalt 7 | G7     # V7 of C7, on the way to F minor: b9 and b13 are in the key\nalt 7 | C7     # V7 of F minor, the chain's last link: b9 and b13 are in the key\nalt 7 | Fm7    # ii of Bb7: Dorian\nalt 7 | Bb7    # V7\u002FI in Eb: natural tensions\n8 | Eb6    # tonic: the 4th is in the key\nalt 8 | Db6    # ♭VII6, borrowed from Eb minor: Lydian (its ♯11 is in the key)\nalt 8 | D6     # a non-tonic major chord: Lydian\nalt 8 | Eb6    # tonic: the 4th is in the key\n\nsection: B\n1 | Bbm7   # ii of the ii–V to Ab\n2 | Eb7    # V7\u002FIV in Eb: natural tensions\n3 | Ab6    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Ab6\n5 | Cm7    # ii of F7: Dorian\n6 | F7     # V7\u002FV in Eb: natural tensions\n7 | Fm7    # ii: Dorian, the key’s own notes\n# area: B major (B 7–8)\n7 | Gb7    # V7 of B: natural tensions\n8 | BMaj7  # tonic: the 4th is in the key\n# area: Eb major (B 8 – A3 8)\n8 | E7     # tritone substitute: resolves down a half step to Eb6\n\nsection: A3\n1 | Eb6    # tonic: the 4th is in the key\n1 | Cm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Fm7    # ii of Bb7: Dorian\n2 | Bb7    # V7\u002FI in Eb: natural tensions\n3 | Gm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | C7     # V7\u002Fii in Eb: the b13 is in the key\n4 | Fm7    # ii of Bb7: Dorian\n4 | Bb7    # V7\u002FI in Eb: natural tensions\n5 | Bbm7   # ii of Eb7: Dorian\n5 | Eb7    # V7\u002FIV in Eb: natural tensions\n6 | Ebm7   # ii of Ab7: Dorian\n6 | Ab7    # extended ii–V: a side-step, its own key\n7 | Fm7    # ii of the ii–V to Eb\n7 | Bb7    # V7 of Eb: natural tensions\nalt 7 | G7     # V7 of C7, on the way to F minor: b9 and b13 are in the key\nalt 7 | C7     # V7 of F minor, the chain's last link: b9 and b13 are in the key\nalt 7 | Fm7    # ii of Bb7: Dorian\nalt 7 | Bb7    # V7\u002FI in Eb: natural tensions\n8 | Eb6    # tonic: the 4th is in the key\nalt 8 | Db6    # ♭VII6, borrowed from Eb minor: Lydian (its ♯11 is in the key)\nalt 8 | D6     # a non-tonic major chord: Lydian\nalt 8 | Eb6    # tonic: the 4th is in the key\n",1793575900762]