[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:so-many-stars":3},"title: So Many Stars\ncomposer: Sérgio Mendes\nstyle: Bossa Nova\nkey: Db\nform: AACD, 44 bars\nrecording: Sérgio Mendes & Brasil '66; Look Around; A&M; 1968\nyoutube: UtKMmWJ5Xd8\n# analysis: 2026-10-28, rules v2; Db\n# recording: A&M SP 4137, Mendes's own first recording (lyrics Alan and Marilyn Bergman); rule 1; sources: Discogs, MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, Sergio Mendes & Brasil '66, ℗ 1968 (compilation Classics Volume 18, the Look Around master), 4:23\n\nsection: A\n1  | Ab13sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | Ab13b9   # V7 in Db, not resolving: the b9 from the symbol\n3  | Abm7     # ii of Db7b9: Dorian\n4  | Db7b9    # V7\u002FIV in Db: the b9 from the symbol\n4  | Db13     # V7\u002FIV in Db: natural tensions\n5  | GbMaj7   # the Db13 before it makes Gb the key of the moment: the 4th is in the key\n6  | B13      # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Fm       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Db\u002FF     # tonic: the 4th is in the key\n8  | Fm6      # a minor sixth chord: Dorian\n8  | Fm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | FmMaj7   # from the symbol: minor-major 7th\n9  | Fm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Bb7#9#5  # extended ii–V: a side-step, its own key; b9, #9, #11 and b13 from the symbol\n11 | Ab13sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | Ab13b9   # V7 of Db: the b9 from the symbol\n13 | Db6      # tonic: the 4th is in the key\n14 | Bb9sus   # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n14 | Bb7#9#5  # VI7 in Db, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n15 | Db6      # tonic: the 4th is in the key\n16 | GbMaj7   # IV: the #4 is the key’s 7th\n@ending 1 13 14\n@ending 2 15 16\n\nsection: C\n1  | Gm11     # a borrowed minor chord: Dorian, its own key\n2  | Gb13#11  # tritone substitute: resolves down a half step to Fm11\n3  | Fm11     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bb13b9   # V7\u002Fii in Db: b9 and 13 from the symbol\n5  | Ebm11    # ii of Ab13b9: Dorian\n6  | Ab13b9   # V7\u002FI in Db: the b9 from the symbol\n7  | F13      # III7 in Db, not resolving: the b9 is in the key, the 13 from the symbol\n7  | F7#5     # extended dominant: V7 of Bb9sus; #11 and b13 from the symbol\n8  | Bb9sus   # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | Bb7#9#5  # VI7 in Db, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: D\n1  | Ab13sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | Ab13b9   # V7 in Db, not resolving: the b9 from the symbol\n3  | Fm9      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bb7b13   # V7\u002Fii in Db: the b13 is in the key\n5  | Ebm9     # ii of the ii–V to Db\n6  | Ab13b9   # V7 of Db: the b9 from the symbol\n7  | Db6      # tonic: the 4th is in the key\n8  | Db6\nalt 8  | B69      # ♭VII6, borrowed from Db minor: Lydian (its ♯11 is in the key)\nalt 8  | Db6      # tonic: the 4th is in the key\n",1793484803269]