[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:so-in-love":3},"title: So In Love\ncomposer: Cole Porter\nstyle: Up Tempo Swing\nkey: Fm\nform: AABA, 72 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A1\n# area: F minor (A1 1–6)\n1  | Fm      # tonic minor: Dorian by convention\n2  | Fm\n3  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # V7 of F minor: b9 and b13 are in the key\n5  | Fm      # tonic minor: Dorian by convention\n6  | Fm\n# area: Ab major (A1 7 – B 11)\n7  | Bbm7    # ii of the ii–V to Ab\n8  | Bbm7\n9  | Eb7     # V7 of Ab: natural tensions\n10 | Eb7\n11 | AbMaj7  # tonic: the 4th is in the key\n12 | Ab7     # V7\u002FIV in Ab: natural tensions\n13 | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n14 | G7b9    # VII7 in Ab, not resolving: b9 and b13 are in the key\n15 | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n17 | Dbm7    # ii of Gb7: Dorian\n18 | Gb7     # extended ii–V: a side-step, its own key\n19 | Bbm7    # ii of the ii–V to Ab\n20 | Eb7     # V7 of Ab: natural tensions\n21 | Ab6     # tonic: the 4th is in the key\n22 | Ab6\n@ending 1 11 16\n@ending 2 17 22\n\nsection: B\n1  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7 of Ab: natural tensions\n7  | AbMaj7  # tonic: the 4th is in the key\n8  | AbMaj7\n9  | Bbm7    # ii of the ii–V to Ab\n10 | Eb7b9   # V7 of Ab: the b9 from the symbol\n11 | AbMaj7  # tonic: the 4th is in the key\n# area: F minor (B 12–13)\n12 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7b9    # V7 of F minor: b9 and b13 are in the key\n13 | Fm      # tonic minor: Dorian by convention\n13 | Fm7\u002FEb  # tonic minor: Dorian by convention\n# area: C major (B 14–15)\n14 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | G7b9    # V7 of C: the b9 from the symbol\n15 | CMaj7   # tonic: the 4th is in the key\n# area: F minor (B 16 – A2 18)\n16 | C7b9    # V7 of F minor: b9 and b13 are in the key\n\nsection: A2\n1  | Fm      # tonic minor: Dorian by convention\n2  | Fm\n3  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # V7 of F minor: b9 and b13 are in the key\n5  | Fm      # tonic minor: Dorian by convention\n6  | Fm\n7  | Bbm7    # ii of Eb7: Dorian\n8  | Bbm7\n9  | Eb7     # V7\u002FbIII in F minor: natural tensions\n10 | Eb7\u002FDb  # bVII7 in F minor, not resolving: natural tensions\n11 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | F7b9    # V7\u002Fiv in F minor: the b13 is in the key, the b9 from the symbol\n13 | Bbm7    # iv: Dorian, the key’s own notes\n14 | Dbm6    # a minor sixth chord: Dorian\n15 | Cm7     # ii of F7b9: Dorian\n16 | F7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\n17 | Bm7     # ii of E7: Dorian\n18 | E7      # extended ii–V: a side-step, its own key\n# area: Ab major (A2 19–22)\n19 | Bbm7    # ii of the ii–V to Ab\n20 | Eb7b9   # V7 of Ab: the b9 from the symbol\n21 | Ab6     # tonic: the 4th is in the key\n22 | Ab6\n# area: F minor (A2 23–24)\n23 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n24 | C7b9    # V7 of F minor: b9 and b13 are in the key\n",1793575900727]