[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:smoke-gets-in-your-eyes":3},"title: Smoke Gets In Your Eyes\ncomposer: Jerome Kern\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1–9)\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n2  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FI in Eb: natural tensions\n3  | Bbm7    # ii of the ii–V to Ab\n3  | Eb7     # V7\u002FIV in Eb: natural tensions\n4  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4  | Adim7   # passing diminished: D7♭9 without its D, the Gm7's dominant; not functioning diatonically: the symmetric scale\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n# area: B major (A1 10 – B 5)\n10 | Dbm7    # ii of the ii–V to B\n10 | Gb7     # V7 of B: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | BMaj7   # tonic: the 4th is in the key\n2  | E7#11   # tritone substitute: resolves down a half step to Ebm7\n3  | Ebm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Ab7     # V7\u002Fii in B: the b13 is in the key\n4  | Dbm7    # ii of the ii–V to B\n4  | Gb7     # V7 of B: natural tensions\n5  | BMaj7   # tonic: the 4th is in the key\n# area: Eb major (B 6 – A2 8)\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n2  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FI in Eb: natural tensions\n3  | Bbm7    # ii of the ii–V to Ab\n3  | Eb7     # V7\u002FIV in Eb: natural tensions\n4  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4  | Adim7   # passing diminished: D7♭9 without its D, the Gm7's dominant; not functioning diatonically: the symmetric scale\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n7  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575900632]