[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:skating-in-central-park":3},"title: Skating In Central Park\ncomposer: John Lewis\nstyle: Waltz\nkey: C\ntime: 3\u002F4\nform: AABA, 64 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–17)\n1  | C\u002FG        # tonic: the 4th is in the key\n2  | G7b9       # V7 of C: the b9 from the symbol\n3  | CMaj7\u002FG    # tonic: the 4th is in the key\n4  | CMaj7\u002FG\n5  | FMaj7\u002FG    # IV: the #4 is the key’s 7th\n6  | G7#5       # V7 of C: #11 and b13 from the symbol\n7  | CMaj7\u002FG    # tonic: the 4th is in the key\n8  | C7b5\u002FGb    # V7\u002FIV in C: the #11 from the symbol\n9  | FMaj7      # the C7b5\u002FGb before it makes F the key of the moment: the 4th is in the key\n10 | B7         # V7\u002Fiii in C: b9 and b13 are in the key\n11 | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | A7         # V7\u002Fii in C: the b13 is in the key\n13 | Dm7        # ii of G7: Dorian\n14 | G7         # V7\u002FI in C: natural tensions\n15 | F\u002FA        # IV: the #4 is the key’s 7th\n15 | Bbm6       # a minor sixth chord: Dorian\n16 | G7\u002FB       # V7 of C: natural tensions\n17 | CMaj7      # tonic: the 4th is in the key\n# area: F minor (A1 18 – B 14)\n18 | C7b5       # V7 of F minor: 9, #11 and 13 from the symbol\n@ending 1 15 16\n@ending 2 17 18\n\nsection: B\n1  | Fm7        # tonic minor: Dorian by convention\n2  | FmMaj7\u002FE   # from the symbol: minor-major 7th\n3  | Fm7\u002FEb     # tonic minor: Dorian by convention\n4  | Dm7b5      # viø7 in F minor: Locrian, its own mode (the chord is outside the key)\n5  | EbMaj7     # ♭VII of F minor: E♭ major, the notes of F Dorian\n6  | Bb6\u002FD      # a non-tonic major chord: Lydian\n7  | Cm7        # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n8  | Bbm6       # a minor sixth chord: Dorian\n9  | Cm6        # a minor sixth chord: Dorian\n10 | Cm6\u002FBb     # a minor sixth chord: Dorian\n11 | Am7b5      # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | D7b9       # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n13 | Fm7        # tonic minor: Dorian by convention\n14 | FmMaj7\u002FE   # from the symbol: minor-major 7th\n# area: C major (B 15 – Coda 21)\n15 | Dm7b5      # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | G7#5       # V7 of C: #11 and b13 from the symbol\n\nsection: A2\n1  | C\u002FG        # tonic: the 4th is in the key\n2  | G7b9       # V7 of C: the b9 from the symbol\n3  | CMaj7\u002FG    # tonic: the 4th is in the key\n4  | CMaj7\u002FG\n5  | FMaj7\u002FG    # IV: the #4 is the key’s 7th\n6  | G7#5       # V7 of C: #11 and b13 from the symbol\n7  | CMaj7\u002FG    # tonic: the 4th is in the key\n8  | C7b5\u002FGb    # V7\u002FIV in C: the #11 from the symbol\n9  | FMaj7      # the C7b5\u002FGb before it makes F the key of the moment: the 4th is in the key\n10 | B7         # V7\u002Fiii in C: b9 and b13 are in the key\n11 | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | A7         # V7\u002Fii in C: the b13 is in the key\n13 | Dm7        # ii of the ii–V to C\n14 | G7         # V7 of C: natural tensions\n15 | CMaj7      # tonic: the 4th is in the key\n16 | G7b9       # V7 of C: the b9 from the symbol\n@coda 14\n\nsection: Coda\n1  | CMaj7\u002FG    # tonic: the 4th is in the key\n2  | C7b9\u002FGb    # V7\u002FIV in C: the b9 from the symbol\n3  | FMaj7      # the C7b9\u002FGb before it makes F the key of the moment: the 4th is in the key\n4  | Cadd9\u002FE    # tonic: the 4th is in the key\n5  | Dm9        # ii of G7: Dorian\n6  | G7         # V7\u002FI in C: natural tensions\n7  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Am7        # ii of D7: Dorian\n9  | D7         # V7\u002FV in C: natural tensions\n10 | F#dim7     # ♯IV°7 to I over its 5th: B7♭9 without its root, the ♯II°7's notes\n11 | C\u002FG        # tonic: the 4th is in the key\n12 | C+\u002FG#      # from the symbol: augmented\n13 | Am7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | G6         # a non-tonic major chord: Lydian\n14 | Fm7        # iv7 from the parallel minor: Dorian, its notes\n14 | EbMaj7     # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n15 | DbMaj7#11  # from the symbol: #11\n16 | DbMaj7#11\n17 | CMaj7#5    # from the symbol: #5\n18 | Db\u002FC       # ♭II, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n19 | Bb\u002FC       # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n20 | B\u002FC        # a non-tonic major chord: Lydian\n20 | C          # tonic: the 4th is in the key\n21 | CMaj9      # tonic: the 4th is in the key\n@coda 1\n",1793575900507]