[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:since-i-fell-for-you":3},"title: Since I Fell For You\ncomposer: Buddy Johnson\nstyle: Slow Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7#9   # V7 of Eb: b9, #9 and #11 from the symbol\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n4  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FI in Eb: natural tensions\n5  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n5  | Gb7     # tritone substitute: resolves down a half step to F7\n6  | F7      # extended dominant: V7 of Bb7sus\n6  | Bb7sus  # static sus: Mixolydian\n7  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | C7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n8  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n9  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n10 | Bbm7    # ii of Eb7: Dorian\n10 | Eb7     # extended dominant: V7 of Ab7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Ab7     # extended dominant: V7 of Db7\n2  | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Eb7     # I7 in Eb, not resolving: natural tensions\n4  | Bbm7    # ii of Eb7: Dorian\n4  | Eb7     # extended dominant: V7 of Ab7\n5  | Ab7     # extended dominant: V7 of Db7\n6  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n7  | EbMaj7  # tonic: the 4th is in the key\n7  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7#9   # V7 of Eb: b9, #9 and #11 from the symbol\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n4  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FI in Eb: natural tensions\n5  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n5  | Gb7     # tritone substitute: resolves down a half step to F7\n6  | F7      # extended dominant: V7 of Bb7sus\n6  | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | Eb6     # tonic: the 4th is in the key\n7  | C7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n8  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575900457]