[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:shes-funny-that-way":3},"title: She's Funny That Way\ncomposer: Charles Daniels\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n2  | EbMaj7  # tonic: the 4th is in the key\n2  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | D7#5    # V7\u002Fiii in Eb: b9 and b13 are in the key, the #11 from the symbol\n4  | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7      # extended dominant: V7 of F7\n5  | F7      # II7 in Eb, not resolving: natural tensions\n6  | Db7     # tritone substitute: resolves down a half step to Cm7\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # V7\u002FV in Eb: natural tensions\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n9  | Bb7     # V7 of Eb: natural tensions\n10 | Eb6     # tonic: the 4th is in the key\n10 | Eb7     # V7\u002Fiv in Eb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Abm6    # a minor sixth chord: Dorian\n2  | Db7     # back door bVII7 to Eb6: the #11 is in the key\n3  | Eb6     # tonic: the 4th is in the key\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n4  | Eb7     # V7\u002Fiv in Eb: natural tensions\n5  | Abm6    # a minor sixth chord: Dorian\n5  | Db7     # extended ii–V: a side-step, its own key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7      # extended ii–V: a side-step, its own key\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # V7\u002FV in Eb: natural tensions\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n2  | EbMaj7  # tonic: the 4th is in the key\n2  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | D7#5    # V7\u002Fiii in Eb: b9 and b13 are in the key, the #11 from the symbol\n4  | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7      # extended dominant: V7 of F7\n5  | F7      # II7 in Eb, not resolving: natural tensions\n6  | Db7     # back door bVII7 to Eb6: the #11 is in the key\n7  | Eb6     # tonic: the 4th is in the key\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb6     # tonic: the 4th is in the key\n",1793575900290]