[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:shaw-nuff":3},"title: Shaw 'Nuff\ncomposer: Charlie Parker, Dizzy Gillespie\nstyle: Up\nkey: Bb\nform: AABA, 32 bars\nrecording: Dizzy Gillespie; In the Beginning; Prestige; 1973\nyoutube: VSD0UPQRvEE\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1945-05-11 (Dizzy Gillespie and His All Stars, with Parker), only take, first issued on 78 (Guild 1002); no earlier LP found (jazzdisco, MusicBrainz); video: The Best Of Odyssey: 1945-1952, the same take\n\n# book tempo marking: Fast Bebop\n# solo on the form (ABC); after solos, D.S. (to A), play the head, then D.C. (to the intro) al Fine: the Fine is in Intro bar 18\n# bar | chord\n# Intro bars 1–4: N.C. (drums with piano), repeated\n\nsection: Intro\nkey: Bbm\nbars: 18\n1  | N.C.\n# area: Bb minor (Intro 5–13)\n5  | BbmMaj7  # from the symbol: minor-major 7th\n7  | Cb\u002FEb    # a non-tonic major chord: Lydian\n9  | BbmMaj7  # from the symbol: minor-major 7th\n11 | Cb7      # tritone substitute: resolves down a half step to Bbm\n13 | Bbm      # tonic minor: Dorian by convention\n# bars 14–18: N.C. (hi-hat continues; drums in 17–18); bar 18: the Fine (fermata, to end)\n14 | N.C.\n@nav 18 Fine\n# alt (optional): bars 19–20 (Bb6), a break with a sample piano fill\n\nsection: A\nkey: Bb\n# area: Bb major (A 1 – C 8)\n1  | Bb6      # tonic: the 4th is in the key\n@segno 1\n1  | Gm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7      # ii of the ii–V to Bb\n2  | F7       # V7 of Bb: natural tensions\n3  | Bb6      # tonic: the 4th is in the key\n3  | G7#5     # V7\u002Fii in Bb: the b13 is in the key, the #11 from the symbol\n4  | Cm7      # ii of F7#5: Dorian\n4  | F7#5     # extended dominant: V7 of Bb7; #11 and b13 from the symbol\n5  | Bb7      # V7\u002FIV in Bb: natural tensions\n6  | Eb6      # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | Edim7    # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n7  | Bb6\u002FF    # tonic: the 4th is in the key\n7  | G7       # V7\u002Fii in Bb: the b13 is in the key\n8  | Cm7      # ii of the ii–V to Bb\n8  | F7       # V7 of Bb: natural tensions\n9  | Bb6      # tonic: the 4th is in the key\n9  | Gm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Cm7      # ii of the ii–V to Bb\n10 | F7       # V7 of Bb: natural tensions\n11 | Bb6      # tonic: the 4th is in the key\n11 | G7#5     # V7\u002Fii in Bb: the b13 is in the key, the #11 from the symbol\n12 | Cm7      # ii of F7#5: Dorian\n12 | F7#5     # extended dominant: V7 of Bb7; #11 and b13 from the symbol\n13 | Bb7      # V7\u002FIV in Bb: natural tensions\n14 | Eb6      # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n14 | Edim7    # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n15 | Bb6\u002FF    # tonic: the 4th is in the key\n15 | F7       # V7 of Bb: natural tensions\n16 | Bb6      # tonic: the 4th is in the key\n\nsection: B\nkey: Bb\nbars: 8\n1  | D7b5     # extended dominant: each one falls a fifth into the next: the #11 from the symbol\n3  | G7b5     # extended dominant: each one falls a fifth into the next: the #11 from the symbol\n5  | C13      # V7 of V7: the dominant of the dominant: natural tensions\n7  | F7       # V7 of Bb: natural tensions\n\nsection: C\nkey: Bb\n1  | Bb6      # tonic: the 4th is in the key\n1  | Gm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7      # ii of the ii–V to Bb\n2  | F7       # V7 of Bb: natural tensions\n3  | Bb6      # tonic: the 4th is in the key\n3  | G7#5     # V7\u002Fii in Bb: the b13 is in the key, the #11 from the symbol\n4  | Cm7      # ii of F7#5: Dorian\n4  | F7#5     # extended dominant: V7 of Bb7; #11 and b13 from the symbol\n5  | Bb7      # V7\u002FIV in Bb: natural tensions\n6  | Eb6      # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | Edim7    # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n7  | Bb6\u002FF    # tonic: the 4th is in the key\n7  | F7       # V7 of Bb: natural tensions\n8  | Bb6      # tonic: the 4th is in the key\n@nav 8 D.S.\n",1793484803121]