[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:seven-come-eleven":3},"title: Seven Come Eleven\ncomposer: Goodman, Christian\nstyle: Medium Up Swing\nkey: Ab\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n1 | Ab6      # tonic: the 4th is in the key\nalt 1 | Ab       # tonic: the 4th is in the key\nalt 1 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Ab6\nalt 2 | Bbm7     # ii: Dorian, the key’s own notes\nalt 2 | Ab       # tonic: the 4th is in the key\nalt 2 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 2 | Eb7      # V7 in Ab, not resolving: natural tensions\n3 | Ab6\nalt 3 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 3 | Bbm7     # ii: Dorian, the key’s own notes\nalt 3 | Ab       # tonic: the 4th is in the key\nalt 3 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 3 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 3 | F7       # V7\u002Fii in Ab: the b13 is in the key\n4 | Ab6\nalt 4 | Bbm7     # ii: Dorian, the key’s own notes\nalt 4 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 4 | Bbm7     # ii: Dorian, the key’s own notes\nalt 4 | Ab       # tonic: the 4th is in the key\nalt 4 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 4 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 4 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 4 | Eb7      # V7 of Ab: natural tensions\n5 | Ab6\nalt 5 | Ab       # tonic: the 4th is in the key\nalt 5 | Bbm7     # ii: Dorian, the key’s own notes\nalt 5 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 5 | Bbm7     # ii: Dorian, the key’s own notes\nalt 5 | Ab       # tonic: the 4th is in the key\nalt 5 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 5 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 5 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 5 | Eb7      # extended dominant: V7 of Ab7\u002FC\nalt 5 | Ab7\u002FC    # V7\u002FIV in Ab: natural tensions\n6 | Ab6\nalt 6 | Db       # the Ab7\u002FC before it makes Db the key of the moment: the 4th is in the key\nalt 6 | Ab       # tonic: the 4th is in the key\nalt 6 | Bbm7     # ii: Dorian, the key’s own notes\nalt 6 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 6 | Bbm7     # ii: Dorian, the key’s own notes\nalt 6 | Ab       # tonic: the 4th is in the key\nalt 6 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 6 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 6 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 6 | Eb7      # extended dominant: V7 of Ab7\u002FC\nalt 6 | Ab7\u002FC    # I7 in Ab, not resolving: natural tensions\nalt 6 | Ddim7    # passing diminished: Bb7♭9 without its Bb, the Bbm7\u002FEb's dominant; not functioning diatonically: the symmetric scale\n7 | Ab6\nalt 7 | Bbm7\u002FEb  # static sus: Mixolydian\nalt 7 | Db       # IV: the #4 is the key’s 7th\nalt 7 | Ab       # tonic: the 4th is in the key\nalt 7 | Bbm7     # ii: Dorian, the key’s own notes\nalt 7 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 7 | Bbm7     # ii: Dorian, the key’s own notes\nalt 7 | Ab       # tonic: the 4th is in the key\nalt 7 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 7 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 7 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 7 | Eb7      # extended dominant: V7 of Ab7\u002FC\nalt 7 | Ab7\u002FC    # I7 in Ab, not resolving: natural tensions\nalt 7 | Ddim7    # passing diminished: Bb7♭9 without its Bb, the Eb7's dominant; not functioning diatonically: the symmetric scale\nalt 7 | Eb7      # V7 of Ab: natural tensions\n8 | Ab6\nalt 8 | Ab       # tonic: the 4th is in the key\nalt 8 | Bbm7\u002FEb  # static sus: Mixolydian\nalt 8 | Db       # IV: the #4 is the key’s 7th\nalt 8 | Ab       # tonic: the 4th is in the key\nalt 8 | Bbm7     # ii: Dorian, the key’s own notes\nalt 8 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 8 | Bbm7     # ii: Dorian, the key’s own notes\nalt 8 | Ab       # tonic: the 4th is in the key\nalt 8 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 8 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 8 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 8 | Eb7      # extended dominant: V7 of Ab7\u002FC\nalt 8 | Ab7\u002FC    # I7 in Ab, not resolving: natural tensions\nalt 8 | Ddim7    # passing diminished: Bb7♭9 without its Bb, the Eb7's dominant; not functioning diatonically: the symmetric scale\nalt 8 | Eb7      # V7 of Ab: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | G7       # extended dominant: each one falls a fifth into the next: natural tensions\n2 | G7\n3 | C7       # extended dominant: each one falls a fifth into the next: natural tensions\n4 | C7\n5 | F7       # extended dominant: each one falls a fifth into the next: natural tensions\n6 | F7\n7 | Bb7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Eb7      # V7 of Ab: natural tensions\n\nsection: A3\n1 | Ab6      # tonic: the 4th is in the key\nalt 1 | Ab       # tonic: the 4th is in the key\nalt 1 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Ab6\nalt 2 | Bbm7     # ii: Dorian, the key’s own notes\nalt 2 | Ab       # tonic: the 4th is in the key\nalt 2 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 2 | Eb7      # V7 in Ab, not resolving: natural tensions\n3 | Ab6\nalt 3 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 3 | Bbm7     # ii: Dorian, the key’s own notes\nalt 3 | Ab       # tonic: the 4th is in the key\nalt 3 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 3 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 3 | F7       # V7\u002Fii in Ab: the b13 is in the key\n4 | Ab6\nalt 4 | Bbm7     # ii: Dorian, the key’s own notes\nalt 4 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 4 | Bbm7     # ii: Dorian, the key’s own notes\nalt 4 | Ab       # tonic: the 4th is in the key\nalt 4 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 4 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 4 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 4 | Eb7      # V7 of Ab: natural tensions\n5 | Ab6\nalt 5 | Ab       # tonic: the 4th is in the key\nalt 5 | Bbm7     # ii: Dorian, the key’s own notes\nalt 5 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 5 | Bbm7     # ii: Dorian, the key’s own notes\nalt 5 | Ab       # tonic: the 4th is in the key\nalt 5 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 5 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 5 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 5 | Eb7      # extended dominant: V7 of Ab7\u002FC\nalt 5 | Ab7\u002FC    # V7\u002FIV in Ab: natural tensions\n6 | Ab6\nalt 6 | Db       # the Ab7\u002FC before it makes Db the key of the moment: the 4th is in the key\nalt 6 | Ab       # tonic: the 4th is in the key\nalt 6 | Bbm7     # ii: Dorian, the key’s own notes\nalt 6 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 6 | Bbm7     # ii: Dorian, the key’s own notes\nalt 6 | Ab       # tonic: the 4th is in the key\nalt 6 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 6 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 6 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 6 | Eb7      # extended dominant: V7 of Ab7\u002FC\nalt 6 | Ab7\u002FC    # I7 in Ab, not resolving: natural tensions\nalt 6 | Ddim7    # passing diminished: Bb7♭9 without its Bb, the Bbm7\u002FEb's dominant; not functioning diatonically: the symmetric scale\n7 | Ab6\nalt 7 | Bbm7\u002FEb  # static sus: Mixolydian\nalt 7 | Db       # IV: the #4 is the key’s 7th\nalt 7 | Ab       # tonic: the 4th is in the key\nalt 7 | Bbm7     # ii: Dorian, the key’s own notes\nalt 7 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 7 | Bbm7     # ii: Dorian, the key’s own notes\nalt 7 | Ab       # tonic: the 4th is in the key\nalt 7 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 7 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 7 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 7 | Eb7      # extended dominant: V7 of Ab7\u002FC\nalt 7 | Ab7\u002FC    # I7 in Ab, not resolving: natural tensions\nalt 7 | Ddim7    # passing diminished: Bb7♭9 without its Bb, the Eb7's dominant; not functioning diatonically: the symmetric scale\nalt 7 | Eb7      # V7 of Ab: natural tensions\n8 | Ab6\nalt 8 | Ab       # tonic: the 4th is in the key\nalt 8 | Bbm7\u002FEb  # static sus: Mixolydian\nalt 8 | Db       # IV: the #4 is the key’s 7th\nalt 8 | Ab       # tonic: the 4th is in the key\nalt 8 | Bbm7     # ii: Dorian, the key’s own notes\nalt 8 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 8 | Bbm7     # ii: Dorian, the key’s own notes\nalt 8 | Ab       # tonic: the 4th is in the key\nalt 8 | Fm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 8 | Eb7      # V7 in Ab, not resolving: natural tensions\nalt 8 | F7       # VI7 in Ab, not resolving: the b13 is in the key\nalt 8 | Eb7      # extended dominant: V7 of Ab7\u002FC\nalt 8 | Ab7\u002FC    # I7 in Ab, not resolving: natural tensions\nalt 8 | Ddim7    # passing diminished: Bb7♭9 without its Bb, the Eb7's dominant; not functioning diatonically: the symmetric scale\nalt 8 | Eb7      # V7 of Ab: natural tensions\n",1793575900206]