[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:serpents-tooth":3},"title: Serpent's Tooth\ncomposer: Miles Davis\nstyle: Medium Up Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | BbMaj7     # tonic: the 4th is in the key\n1  | Bdim7      # vii°7 of Cm7: G7♭9 without its root\n2  | Cm7        # ii: Dorian, the key’s own notes\n2  | C#dim7     # vii°7 of Dm7: A7♭9 without its root\n3  | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | D7#5       # III7 in Bb, not resolving: b9 and b13 are in the key, the #11 from the symbol\n4  | EbMaj7     # IV: the #4 is the key’s 7th\n4  | AbMaj7#11  # from the symbol: #11\n5  | BbMaj7     # tonic: the 4th is in the key\n5  | E9         # tritone substitute: resolves down a half step to EbMaj7\n6  | EbMaj7     # the E9 before it makes Eb the key of the moment: the 4th is in the key\n6  | Ab7        # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | G7         # V7\u002Fii in Bb: the b13 is in the key\n8  | Cm7        # ii of the ii–V to Bb\n8  | F7         # V7 of Bb: natural tensions\n9  | BbMaj7     # tonic: the 4th is in the key\n10 | Bb6        # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bb7        # V7\u002FIV in Bb: natural tensions\n2  | Bb7\n3  | EbMaj7     # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4  | EbMaj7\n5  | C7         # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7\n7  | F7         # V7 of Bb: natural tensions\n8  | F7\n\nsection: A2\n1  | BbMaj7     # tonic: the 4th is in the key\n1  | Bdim7      # vii°7 of Cm7: G7♭9 without its root\n2  | Cm7        # ii: Dorian, the key’s own notes\n2  | C#dim7     # vii°7 of Dm7: A7♭9 without its root\n3  | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | D7#5       # III7 in Bb, not resolving: b9 and b13 are in the key, the #11 from the symbol\n4  | EbMaj7     # IV: the #4 is the key’s 7th\n4  | Ab7#11     # back door bVII7 to BbMaj7: the #11 is in the key\n5  | BbMaj7     # tonic: the 4th is in the key\n5  | E9         # tritone substitute: resolves down a half step to EbMaj7\n6  | EbMaj7     # the E9 before it makes Eb the key of the moment: the 4th is in the key\n6  | Ab7        # back door bVII7 to BbMaj7: the #11 is in the key\n7  | BbMaj7     # tonic: the 4th is in the key\n8  | Bb6        # tonic: the 4th is in the key\n",1793575900155]