[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:sem-fantasia":3},"title: Sem Fantasia\ncomposer: Chico Buarque\nstyle: Bossa Nova\nkey: Em\nform: ABCABC, 80 bars\nrecording: Chico Buarque; Chico Buarque de Hollanda Volume 3; RGE; 1968\n# analysis: 2026-10-28, rules v2; E minor\n# recording: a duet with his sister Cristina Buarque, her first recording; written for the play Roda Viva; Chico's own first recording (rule 1); sources: Agência Brasil, Wikipedia; video: none (no official upload of the album track)\n\nsection: Intro\n# area: E minor (Intro 1 – C1 12)\n1  | Em7     # tonic minor: Dorian by convention\n2  | B7b13   # V7 of E minor: b9 and b13 are in the key\n3  | Em7     # tonic minor: Dorian by convention\n4  | B7b13   # V7 of E minor: b9 and b13 are in the key\n\nsection: A1\n1  | Em7     # tonic minor: Dorian by convention\n2  | Em7\n3  | F#m7b5  # iiø7 of B7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7b13   # V7\u002Fi in E minor: b9 and b13 are in the key\n5  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Bm7b5\n7  | E7b9    # V7\u002Fiv in E minor: the b13 is in the key, the b9 from the symbol\n8  | E7b9\n9  | Am9     # iv: Dorian, the key’s own notes\n10 | Am9\n11 | G6\u002FD    # bIII of E minor: the relative major itself\n12 | G7b9    # V7\u002FbVI in E minor: the b9 from the symbol\n13 | CMaj7   # a non-tonic major chord: Lydian\n14 | C\u002FBb    # a non-tonic major chord: Lydian\n15 | Am6\u002F9   # a minor sixth chord: Dorian\n16 | B7b13   # V7 of E minor: b9 and b13 are in the key\n\nsection: B1\n1  | Em7     # tonic minor: Dorian by convention\n2  | Em7\n3  | F#m7b5  # iiø7 of B7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7b13   # V7\u002Fi in E minor: b9 and b13 are in the key\n5  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7b9    # V7\u002Fiv in E minor: the b13 is in the key, the b9 from the symbol\n7  | Am7     # iv: Dorian, the key’s own notes\n8  | Am7\n\nsection: C1\n1  | A#dim7  # vii°7 to Em\u002FB, up to its bass: F#7♭9 without its root\n2  | A#dim7\n3  | Em\u002FB    # tonic minor: Dorian by convention\n4  | CMaj7   # a non-tonic major chord: Lydian\n5  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | E7b9    # V7\u002Fiv in E minor: the b13 is in the key, the b9 from the symbol\n6  | E7b9\n7  | Am7     # iv: Dorian, the key’s own notes\n8  | Am7\n9  | A#dim7  # vii°7 to Em7\u002FB, up to its bass: F#7♭9 without its root\n10 | A#dim7\n11 | Em7\u002FB   # tonic minor: Dorian by convention\n12 | CMaj7   # a non-tonic major chord: Lydian\n# area: B major (C1 13–16)\n13 | F#7     # V7 of B: natural tensions\n14 | B\u002FA     # tonic: the 4th is in the key\n15 | Em7     # iv7 from the parallel minor: Dorian, its notes\n16 | F#m7b5  # vø7 in B: Locrian, its own mode (the chord is outside the key)\nalt 16 | B7b13   # V7 of E minor: b9 and b13 are in the key\n\nsection: A2\ncopy: A1\n\nsection: B2\ncopy: B1\n\nsection: C2\ncopy: C1\n",1793484803067]