[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:sei-la":3},"title: Sei Lá\ncomposer: Toquinho\nstyle: Samba\nkey: C\nform: AB, 30 bars\naka: A Vida Tem Sempre Razão\nrecording: Toquinho & Vinicius; Toquinho e Vinicius; RGE; 1971\n# analysis: 2026-10-28, rules v2; C\n# recording: RGE 303.0010, as \"Sei Lá... A Vida Tem Sempre Razão\"; the composers' own first recording (rule 1); sources: Discogs, Dicionário Cravo Albin (MusicBrainz says 1972); video: none (no official upload of the RGE track)\n\nsection: A\n1  | Am7     # ii of D7: Dorian\n2  | D7      # V7\u002FV in C: natural tensions\n3  | Dm7     # ii of the ii–V to C\n3  | G7      # V7 of C: natural tensions\n4  | CMaj7   # tonic: the 4th is in the key\n5  | Am7     # ii of D7: Dorian\n5  | D7      # V7\u002FV in C: natural tensions\n6  | Bm7     # a borrowed minor chord: Dorian, its own key\n6  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n9  | CMaj7   # tonic: the 4th is in the key\n9  | Am7     # ii of D7: Dorian\n10 | D7      # V7\u002FV in C: natural tensions\n11 | Dm7     # ii of G7: Dorian\n11 | G7      # V7\u002FI in C: natural tensions\n12 | Gm7     # ii of C7: Dorian\n12 | C7      # V7\u002FIV in C: natural tensions\n\nsection: B\n1  | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n1  | Fm6     # a minor sixth chord: Dorian\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n3  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n3  | G13     # extended dominant: V7 of C7\n4  | C7      # I7 in C, not resolving: natural tensions\n5  | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n5  | Fm6     # a minor sixth chord: Dorian\n6  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | G13     # V7 of C: natural tensions\n8  | CMaj7   # tonic: the 4th is in the key\n9  | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n9  | Fm6     # a minor sixth chord: Dorian\n10 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n11 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n11 | G13     # extended dominant: V7 of C7\n12 | C7      # I7 in C, not resolving: natural tensions\n13 | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n13 | Fm6     # a minor sixth chord: Dorian\n14 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n15 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n15 | G13     # V7 of C: natural tensions\n16 | C69     # tonic: the 4th is in the key\n17 | G7sus   # static sus: Mixolydian\n18 | G7sus\n",1793484803053]