[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:secret-love":3},"title: Secret Love\nsubtitle: Up (Once I Had a Secret Love)\ncomposer: Sammy Fain\nstyle: Up\nkey: Eb\nform: ABC, 32 bars\nrecording: Doris Day; Calamity Jane; Columbia; 1953\nyoutube: e-_eWgVDLuA\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1953-08-05, Warner Bros. Studios, Burbank, with Ray Heindorf, the film's soundtrack recording, issued as a single (Columbia 40108) and on the 10\" soundtrack album (Columbia CL 6273); the song's introducer and Oscar-winning hit; no single instrumental reading is the jazz reference; sources: Wikipedia, MusicBrainz; video: \"Provided to YouTube by Columbia\", A Day at the Movies, the same take\n\n# bar | chord | scale\n# the solo changes in bars 9–10 (the head has Fm7 Bb7)\n\nsection: A1\n# area: Eb major (A1 1 – B 2)\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Fm7\u002FBb  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Fm7\u002FBb  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | EbMaj7  # tonic: the 4th is in the key\n5  | Ab7     # tritone substitute: resolves down a half step to Gm7\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7b9    # tritone substitute: resolves down a half step to B7alt; b9 from the symbol\n7  | B7alt   # from the symbol: altered\n8  | Bb7b9   # V7 in Eb, not resolving: the b9 from the symbol\n9  | Fm7     # ii of Bb7: Dorian\n10 | Bb7     # V7\u002FI in Eb: natural tensions\n11 | F#m7    # ii of B7: Dorian\n12 | B7      # extended ii–V: a side-step, its own key\n13 | Fm7     # ii of Bb7b9: Dorian\n14 | Bb7b9   # V7\u002FI in Eb: the b9 from the symbol\n15 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n16 | Fm7     # ii of the ii–V to Eb\n16 | Bb7b9   # V7 of Eb: the b9 from the symbol\n\nsection: B\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n# area: Bb major (B 3–5)\n3  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7 of Bb: natural tensions\n5  | BbMaj7  # tonic: the 4th is in the key\n# area: Eb major (B 7 – C 6)\n7  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Abm7    # ii of Db7: Dorian\n10 | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n\nsection: C\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Fm7     # ii: Dorian, the key’s own notes\n3  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7b9   # V7 of Eb: the b9 from the symbol\n",1793484803045]