[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:search-for-peace":3},"title: Search for Peace\ncomposer: McCoy Tyner\nstyle: Medium ballad\nkey: F\nform: AABC, 32 bars\nrecording: McCoy Tyner; The Real McCoy; Blue Note; 1967\nyoutube: 9XVNzU9OqMc\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1967-04-21, take 18, Blue Note BLP 4264, with Joe Henderson, Ron Carter, Elvin Jones (jazzdisco.org, MusicBrainz release group)\n\n# the book's Gm7(add11) is written Gm11\n# the chords in parentheses (G9) are not used during solos\n# solo on the form (AABC); after solos, D.C. al Coda (no repeat): the coda is taken in A bar 8, on the E7\u002FB\n# bar | chord\n\nsection: A1\nkey: F\n1 | Am7b5       # iiø7 of D7alt: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7alt       # from the symbol: altered\n2 | FMaj7\u002FG     # tonic: the 4th is in the key\n# alt (optional): bar 2, beat 2 (G9), then FMaj7\u002FG again on beat 3\n2 | G9          # II7 in F, not resolving: natural tensions\n3 | Am7b5       # iiø7 of D7alt: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | D7alt       # from the symbol: altered\n4 | FMaj7\u002FG     # tonic: the 4th is in the key\n# alt (optional): bar 4, beat 2 (G9), then FMaj7\u002FG again on beat 3\n4 | G9          # II7 in F, not resolving: natural tensions\n5 | Gm7(add11)  # ii of the ii–V to F minor\n5 | C7b9        # V7 of F: the b9 from the symbol\n6 | Fm7         # a borrowed minor chord: Dorian, its own key\n6 | AbMaj7\u002FBb   # ♭IIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n6 | Bb7b9       # V7\u002Fbvii in F: the #11 is in the key, the b9 from the symbol\n7 | Ebm7        # a borrowed minor chord: Dorian, its own key\n7 | GbMaj7\u002FAb   # ♭IImaj7, borrowed from F Phrygian: Lydian (its ♯11 is in the key)\n7 | Ab7b9       # V7\u002Fbvi in F: the #11 is in the key, the b9 from the symbol\n8 | C#m7        # a borrowed minor chord: Dorian, its own key\n8 | E7sus4\u002FB    # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | E7\u002FB        # V7\u002Fiii in F: b9 and b13 are in the key\n@coda 8\n@nav 8 To Coda (after solos)\n\nsection: A2\ncopy: A1\n\nsection: B\nkey: F\n# B: a C pedal (C13, Ab13\u002FC) to the dominant of F\n1 | C13         # V7 in F, not resolving: natural tensions\n1 | Ab13\u002FC      # ♭III7 from the parallel minor: Lydian Dominant\n2 | C13         # V7 in F, not resolving: natural tensions\n2 | Ab13\u002FC      # ♭III7 from the parallel minor: Lydian Dominant\n3 | C13         # V7 in F, not resolving: natural tensions\n3 | Ab13\u002FC      # ♭III7 from the parallel minor: Lydian Dominant\n4 | Am7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7          # V7\u002Fii in F: the b13 is in the key\n5 | Gm9         # ii: Dorian, the key’s own notes\n5 | AbMaj7\u002FG    # from the symbol: sus b9\n6 | Gm9         # ii: Dorian, the key’s own notes\n6 | AbMaj7\u002FG    # from the symbol: sus b9\n7 | Gm9         # ii: Dorian, the key’s own notes\n7 | AbMaj7\u002FG    # from the symbol: sus b9\n8 | FMaj7\u002FG     # tonic: the 4th is in the key\n8 | G13         # II7 in F, not resolving: natural tensions\n\nsection: C\nkey: F\n1 | Am7b5       # iiø7 of D7alt: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7alt       # from the symbol: altered\n2 | FMaj7\u002FG     # tonic: the 4th is in the key\n# alt (optional): bar 2, beat 2 (G9), then FMaj7\u002FG again on beat 3\n2 | G9          # II7 in F, not resolving: natural tensions\n3 | Am7b5       # iiø7 of D7alt: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | D7alt       # from the symbol: altered\n4 | FMaj7\u002FG     # tonic: the 4th is in the key\n# alt (optional): bar 4, beat 2 (G9), then FMaj7\u002FG again on beat 3\n4 | G9          # II7 in F, not resolving: natural tensions\n5 | Gm7(add11)  # ii of the ii–V to F minor\n5 | C7b9        # V7 of F: the b9 from the symbol\n6 | Fm7         # a borrowed minor chord: Dorian, its own key\n6 | AbMaj7\u002FBb   # ♭IIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n6 | Bb7b9       # V7\u002Fbvii in F: the #11 is in the key, the b9 from the symbol\n7 | Ebm7        # a borrowed minor chord: Dorian, its own key\n7 | GbMaj7\u002FAb   # ♭IImaj7, borrowed from F Phrygian: Lydian (its ♯11 is in the key)\n7 | Ab7b9       # V7\u002Fbvi in F: the #11 is in the key, the b9 from the symbol\n8 | C#m7        # a borrowed minor chord: Dorian, its own key\n8 | E7sus4\u002FB    # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | E7\u002FB        # V7\u002Fiii in F: b9 and b13 are in the key\n@nav 8 D.C. al Coda\n\nsection: Coda\nkey: F\nbars: 4\n# Coda: C13 held (fermata), a piano fill\n1 | C13         # static dominant: its own mode\n@coda 1\n",1793484803024]