[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:satin-doll":3},"title: Satin Doll\ncomposer: Duke Ellington & Billy Strayhorn\nstyle: Medium\nkey: C\nform: AABA, 32 bars\nrecording: Duke Ellington; The Best of Duke Ellington; Capitol; 1961\nyoutube: ruewfx57GQA\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1953-04-06, first issued on 78 (Capitol 2458, 1953), first US LP 1961 (T-1602; French Capitol's Ultra De Luxe, 1959, came earlier) (Discogs, MusicBrainz); video: Jazz Profile: Duke Ellington, the same take\n\n# bar | chord | scale\n# the intro vamp is melody only (no chords) and is left out\n\nsection: A1\n1 | Dm7    # ii of G7: Dorian\n1 | G7     # V7\u002FI in C: natural tensions\n2 | Dm7    # ii of G7: Dorian\n2 | G7     # V7\u002FI in C: natural tensions\n3 | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | A7     # extended ii–V: a side-step, its own key\n4 | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | A7     # extended ii–V: a side-step, its own key\n5 | Am7    # ii of D7: Dorian\n5 | D7     # V7\u002FV in C: natural tensions\n6 | Abm7   # ii of Db7: Dorian\n6 | Db7    # tritone substitute: resolves down a half step to C7\n7 | C7     # tritone substitute: resolves down a half step to B7\n7 | B7     # tritone substitute: resolves down a half step to Bb7\n8 | Bb7    # tritone substitute: resolves down a half step to A7\n8 | A7     # V7\u002Fii in C: the b13 is in the key\n\nsection: A2\nbars: 8\n1 | Dm7    # ii of G7: Dorian\n1 | G7     # V7\u002FI in C: natural tensions\n2 | Dm7    # ii of G7: Dorian\n2 | G7     # V7\u002FI in C: natural tensions\n3 | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | A7     # extended ii–V: a side-step, its own key\n4 | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | A7     # extended ii–V: a side-step, its own key\n5 | Am7    # ii of D7: Dorian\n5 | D7     # V7\u002FV in C: natural tensions\n6 | Abm7   # ii of Db7: Dorian\n6 | Db7    # tritone substitute: resolves down a half step to CMaj7\n7 | CMaj7  # tonic: the 4th is in the key\n\nsection: B\n1 | Gm7    # ii of the ii–V to F\n2 | C7     # V7\u002FIV in C: natural tensions\n3 | FMaj7  # the C7 before it makes F the key of the moment: the 4th is in the key\n5 | Am7    # ii of D7: Dorian\n6 | D7     # V7\u002FV in C: natural tensions\n7 | Dm7    # ii of G7: Dorian\n8 | G7     # V7\u002FI in C: natural tensions\n\nsection: A3\n1 | Dm7    # ii of G7: Dorian\n1 | G7     # V7\u002FI in C: natural tensions\n2 | Dm7    # ii of G7: Dorian\n2 | G7     # V7\u002FI in C: natural tensions\n3 | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | A7     # extended ii–V: a side-step, its own key\n4 | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | A7     # extended ii–V: a side-step, its own key\n5 | Am7    # ii of D7: Dorian\n5 | D7     # V7\u002FV in C: natural tensions\n6 | Abm7   # ii of Db7: Dorian\n6 | Db7    # tritone substitute: resolves down a half step to CMaj7\n7 | CMaj7  # tonic: the 4th is in the key\n8 | Dm7    # ii of G7: Dorian\n8 | G7     # V7\u002FI in C: natural tensions\n",1793484802963]