[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:samurai":3},"title: Samurai\ncomposer: Djavan\nstyle: Brazilian\nkey: E\nform: AB, 20 bars\nrecording: Djavan; Luz; CBS; 1982\nyoutube: 3-qwqrQXsXQ\n# analysis: 2026-10-28, rules v2; E\n# recording: Los Angeles, prod. Ronnie Foster, with Stevie Wonder (harmonica); Djavan's own first recording (rule 1); sources: Wikipedia, MusicBrainz; video: DjavanVEVO official \"Áudio Oficial\" upload, album Luz, 4:50\n\nsection: Intro\n1  | E       # tonic: the 4th is in the key\n1  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n2  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C#9     # extended ii–V: a side-step, its own key\n3  | E       # tonic: the 4th is in the key\n3  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n4  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | B9      # V7 of E: natural tensions\n5  | E       # tonic: the 4th is in the key\n5  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n6  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C#9     # extended ii–V: a side-step, its own key\n7  | E       # tonic: the 4th is in the key\n7  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n8  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | B9      # V7 of E: natural tensions\n\nsection: A\n1  | E       # tonic: the 4th is in the key\n1  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n2  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C#9     # extended ii–V: a side-step, its own key\n3  | E       # tonic: the 4th is in the key\n3  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n4  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | B9      # V7 of E: natural tensions\n5  | E       # tonic: the 4th is in the key\n5  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n6  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C#9     # extended ii–V: a side-step, its own key\n7  | E       # tonic: the 4th is in the key\n7  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n8  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | B9      # V7 of E: natural tensions\n\nsection: B\n1  | E       # tonic: the 4th is in the key\n1  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n2  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C#9     # extended ii–V: a side-step, its own key\n3  | AMaj7   # IV: the #4 is the key’s 7th\n3  | GMaj7   # ♭IIImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n4  | F#m7    # ii of the ii–V to E\n4  | B9      # V7 of E: natural tensions\n5  | E       # tonic: the 4th is in the key\n5  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n6  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C#9     # extended ii–V: a side-step, its own key\n7  | AMaj7   # IV: the #4 is the key’s 7th\n8  | Bbm7b5  # iiø7 of Eb7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Eb7b9   # V7\u002Fiii in E: b9 and b13 are in the key\n9  | E       # tonic: the 4th is in the key\n9  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n10 | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | C#9     # extended ii–V: a side-step, its own key\n11 | E       # tonic: the 4th is in the key\n11 | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n12 | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | B9      # V7 of E: natural tensions\n",1793484802934]