[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:samba-dobrado":3},"title: Samba Dobrado\ncomposer: Djavan\nstyle: Samba\nkey: Db\nform: AABCC, 72 bars\nrecording: Djavan; Djavan; EMI-Odeon; 1978\nyoutube: z4vbXTcvpHs\n# analysis: 2026-10-28, rules v2; Db\n# recording: prod. Mariozinho Rocha; Djavan's own first recording (rule 1); sources: MusicBrainz, Wikipedia; video: Universal Music Group \"Provided to YouTube\" upload (℗ 1978), CD reissue Alumbramento & Cara de Índio, 3:33\n\nsection: A\n# area: Db major (A 1 – B 7)\n1  | DbMaj7  # tonic: the 4th is in the key\n2  | DbMaj7\n3  | GbMaj7  # IV: the #4 is the key’s 7th\n4  | GbMaj7\n5  | DbMaj7  # tonic: the 4th is in the key\n6  | DbMaj7\n7  | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Bb7b9   # extended ii–V: a side-step, its own key; b9 from the symbol\n9  | Gm7b5   # #ivø7 in Db: Locrian, its own mode (the chord is outside the key)\n10 | B7#11   # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Bb7b9   # V7\u002Fii in Db: the b13 is in the key, the b9 from the symbol\n13 | Ebm9    # ii of Ab13: Dorian\n14 | Ab13    # V7\u002FI in Db: natural tensions\n15 | Abm7    # ii of Db7b9: Dorian\n16 | Db7b9   # V7\u002FIV in Db: the b9 from the symbol\n17 | Gm7b5   # #ivø7 in Db: Locrian, its own mode (the chord is outside the key)\n18 | B7#11   # ♭VII7 from the parallel minor: Lydian Dominant\n19 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n20 | Bb7b9   # V7\u002Fii in Db: the b13 is in the key, the b9 from the symbol\n21 | Ebm9    # ii of Ab13: Dorian\n22 | Ab13    # V7\u002FI in Db: natural tensions\n23 | B7sus   # static sus: Mixolydian\n24 | B7sus\n24 | C7sus   # static sus: Mixolydian\n25 | DbMaj7  # tonic: the 4th is in the key\n26 | Bb7b13  # V7\u002Fii in Db: the b13 is in the key\n@coda 4\n@ending 1 23 24\n@ending 2 25 26\n\nsection: B\n1  | Ebm7    # ii: Dorian, the key’s own notes\n2  | D7#9    # tritone substitute: resolves down a half step to DbMaj7; b9 and #9 from the symbol\n3  | DbMaj7  # tonic: the 4th is in the key\n4  | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Gm7     # ii of C7#9: Dorian\n6  | C7#9    # extended ii–V: a side-step, its own key; b9, #9 and #11 from the symbol\n7  | GbMaj7  # IV: the #4 is the key’s 7th\n# area: E major (B 8 – C 2)\n8  | Gbm7    # ii of the ii–V to E\n8  | B7      # V7 of E: natural tensions\n\nsection: C\n1  | EMaj7   # tonic: the 4th is in the key\n2  | Dbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Db major (C 3 – Coda 2)\n3  | Ebm7b5  # iiø7 of Db: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | Ab7b13  # V7 of Db: the b13 from the symbol\n5  | DbMaj7  # tonic: the 4th is in the key\n6  | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Cm7b5   # iiø7 of F7: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | F7      # V7\u002Fvi in Db: b9 and b13 are in the key\n8  | B7      # ♭VII7 from the parallel minor: Lydian Dominant\n9  | Cm7b5   # iiø7 of F7: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | F7      # V7\u002Fvi in Db: b9 and b13 are in the key\n10 | Ab7     # V7 of Db: natural tensions\n@nav 10 D.C. al Coda\n@ending 1 7 8\n@ending 2 9 10\n\nsection: Coda\n1  | DbMaj7  # tonic: the 4th is in the key\n2  | DbMaj7\n@coda 1\n",1793484802886]