[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:samba-de-rei":3},"title: Samba de Rei\ncomposer: Carlos Pingarilho\nstyle: Samba\nkey: D\nform: AB, 38 bars\n# no recording: no confident first recording: Leny Andrade (Estamos Aí) and Os Catedráticos (Ataque) both issued it in 1965, and no source orders them\n# analysis: 2026-10-28, rules v2; D\n\nsection: Intro\n# area: D major (Intro 1 – A 3)\n1  | Em9     # ii of A9: Dorian\n2  | A9      # V7\u002FI in D: natural tensions\n3  | Em9     # ii of A9: Dorian\n4  | A9      # V7\u002FI in D: natural tensions\n5  | Em9     # ii of A9: Dorian\n6  | A9      # V7\u002FI in D: natural tensions\n7  | Em9     # ii of A9: Dorian\n8  | A9      # V7\u002FI in D: natural tensions\n\nsection: A\n1  | Em9     # ii of the ii–V to D\n2  | A9      # V7 of D: natural tensions\n3  | D69     # tonic: the 4th is in the key\n# area: C major (A 4–6)\n4  | Dm9     # ii of the ii–V to C\n5  | G13b9   # V7 of C: the b9 from the symbol\n6  | C69     # tonic: the 4th is in the key\n# area: D major (A 7 – B 1)\n7  | Bm7     # ii of E13: Dorian\n8  | E13     # V7\u002FV in D: natural tensions\n9  | C#m9    # ii of F#7b13: Dorian\n10 | F#7b13  # extended dominant: V7 of B9; b13 from the symbol\n11 | B9      # tritone substitute: resolves down a half step to Bb9\n12 | B9\n13 | B9\n14 | Bb9     # ♭VI7 from the parallel minor: Lydian Dominant\n15 | Em9     # ii of A13: Dorian\n16 | A13     # V7\u002FI in D: natural tensions\n17 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n18 | B7b9    # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n19 | Em9     # ii of the ii–V to D\n20 | A13     # V7 of D: natural tensions\n21 | D69     # tonic: the 4th is in the key\n22 | B7b13   # V7\u002Fii in D: the b13 is in the key\n23 | Em9     # ii of the ii–V to D\n24 | A7b9    # V7 of D: the b9 from the symbol\n@segno 1\n@coda 14\n\nsection: B\n1  | DMaj7   # tonic: the 4th is in the key\n# area: C major (B 2–4)\n2  | Dm7     # ii of the ii–V to C\n2  | G7      # V7 of C: natural tensions\n3  | CMaj7   # tonic: the 4th is in the key\n4  | CMaj7\n# area: D major (B 5–10)\n5  | Bm7     # ii of E7: Dorian\n6  | E7      # V7\u002FV in D: natural tensions\n7  | C#m7    # ii of F#7b9: Dorian\n8  | F#7b9   # extended dominant: V7 of B13; b9 from the symbol\n9  | B13     # VI7 in D, not resolving: the 13 from the symbol\n10 | B7b9    # VI7 in D, not resolving: the b13 is in the key, the b9 from the symbol\n# area: A major (B 11 – Coda 4)\n11 | Bm7     # ii of the ii–V to A\n12 | E7      # V7 of A: natural tensions\n13 | AMaj7   # tonic: the 4th is in the key\n14 | Asus    # static sus: Mixolydian\n@nav 14 D.S. al Coda\n\nsection: Coda\n1  | Em9     # ii of A13: Dorian\n2  | A13     # V7\u002FIV in A: natural tensions\n3  | Fm9     # ii of Bb9: Dorian\n4  | Bb9     # extended ii–V: a side-step, its own key\n# area: D major (Coda 5–8)\n5  | Em9     # ii of the ii–V to D\n6  | A13     # V7 of D: natural tensions\n7  | D69     # tonic: the 4th is in the key\n8  | DMaj9   # tonic: the 4th is in the key\n@coda 1\n",1793484802872]