[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:samba-de-orly":3},"title: Samba de Orly\ncomposer: Chico Buarque, Vinicius de Moraes, Toquinho\nstyle: Samba\nkey: C\nform: AB, 40 bars\nrecording: Chico Buarque; Construção; Philips; 1971\nyoutube: 6OoyRyePx6o\n# analysis: 2026-10-28, rules v2; C\n# recording: prod. Roberto Menescal; Chico's own first recording (rule 1); sources: MusicBrainz, Wikipedia; video: Universal Music Group \"Provided to YouTube\" upload, album Construção, 2:40\n\nsection: Intro\n1  | Dm9     # ii of G13: Dorian\n2  | G13     # V7\u002FI in C: natural tensions\n3  | Dm9     # ii of the ii–V to C\n4  | G13     # V7 of C: natural tensions\n\nsection: A\n1  | CMaj7   # tonic: the 4th is in the key\n2  | CMaj7\n3  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7      # V7\u002Fiii in C: b9 and b13 are in the key\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | A7      # extended ii–V: a side-step, its own key\n7  | Gm7     # ii of the ii–V to F\n8  | C9      # V7\u002FIV in C: natural tensions\n9  | FMaj7   # the C9 before it makes F the key of the moment: the 4th is in the key\n10 | Fm6     # a minor sixth chord: Dorian\n11 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Am\u002FG    # ii of D7: Dorian\n13 | D7      # V7\u002FV in C: natural tensions\n14 | D7\n15 | Dm9     # ii of the ii–V to C\n16 | G13b9   # V7 of C: the b9 from the symbol\n\nsection: B\n1  | CMaj7   # tonic: the 4th is in the key\n2  | CMaj7\n3  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7      # V7\u002Fiii in C: b9 and b13 are in the key\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | A7      # extended ii–V: a side-step, its own key\n7  | Gm7     # ii of C9: Dorian\n8  | C9      # V7\u002FIV in C: natural tensions\n9  | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n10 | Fm6     # a minor sixth chord: Dorian\n11 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | A7b13   # extended dominant: each one falls a fifth into the next: the b13 from the symbol\n13 | D9      # V7 of V7: the dominant of the dominant: natural tensions\n14 | G13     # V7 in C, not resolving: natural tensions\n15 | Gm7     # ii of C9: Dorian\n16 | C9      # V7\u002FIV in C: natural tensions\n17 | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n18 | Fm6     # a minor sixth chord: Dorian\n19 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n20 | A7b13   # extended dominant: each one falls a fifth into the next: the b13 from the symbol\n21 | D9      # V7 of V7: the dominant of the dominant: natural tensions\n22 | G13     # V7 of C: natural tensions\n23 | CMaj7   # tonic: the 4th is in the key\n24 | CMaj7\n",1793484802865]