[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:sail-away":3},"title: Sail Away\ncomposer: Tom Harrell\nstyle: Bossa Nova\nkey: C\nform: ABC, 56 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1–16)\n1  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7alt      # from the symbol: altered\n3  | Dm11       # ii: Dorian, the key’s own notes\n4  | G7sus4b9   # from the symbol: sus b9\n5  | Fdim7\u002FC    # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n6  | Am7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | D\u002FF#       # a non-tonic major chord: Lydian\n8  | G7sus4b9   # from the symbol: sus b9\n9  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Bbm7       # ii of Eb9: Dorian\n10 | Eb9        # tritone substitute: resolves down a half step to Dm11\n11 | Dm11       # ii: Dorian, the key’s own notes\n12 | G7sus4b9   # from the symbol: sus b9\n13 | Fdim7\u002FC    # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n14 | Am7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n15 | Fm11       # iv7 from the parallel minor: Dorian, its notes\n16 | Bb7sus4b9  # from the symbol: sus b9\n# area: F minor (A 17–22)\n17 | Gm7        # ii of the ii–V to F minor\n18 | C7b9b5     # V7 of F minor: the b9 is in the key, #11 and 13 from the symbol\n19 | Fm11       # tonic minor: Dorian by convention\n20 | Bb7sus4b9  # from the symbol: sus b9\n21 | Abdim7\u002FEb  # passing diminished: G7♭9 without its G, the Cm7's dominant; not functioning diatonically: the symmetric scale\n22 | Cm7        # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n# area: G major (A 23 – B 4)\n23 | Am11       # ii of the ii–V to G\n24 | D7b9b5     # V7 of G: b9 and #11 from the symbol\n\nsection: B\n1  | GMaj7\u002FD    # tonic: the 4th is in the key\n2  | Dm7        # a borrowed minor chord: Dorian, its own key\n3  | A\u002FC#       # a non-tonic major chord: Lydian\n4  | A\u002FB        # a non-tonic major chord: Lydian\n# area: E major (B 4–16)\n4  | B7         # V7 of E: natural tensions\n5  | EMaj7#5    # from the symbol: #5\n6  | AMaj7      # IV: the #4 is the key’s 7th\n7  | D#m11      # ii of G#sus: Dorian\n8  | G#sus      # static sus: Mixolydian\n8  | Bsus       # static sus: Mixolydian\n9  | Eb9sus     # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | Eb7b9b5    # VII7 in E, not resolving: the b9 is in the key, #11 and 13 from the symbol\n11 | E9sus      # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | E7         # V7\u002FIV in E: natural tensions\n13 | AMaj7      # the E7 before it makes A the key of the moment: the 4th is in the key\n14 | F#m7       # ii: Dorian, the key’s own notes\n15 | CMaj7\u002FD    # ♭VImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n15 | BbMaj7\u002FC   # a non-tonic major chord: Lydian\n16 | AbMaj7\u002FBb  # a non-tonic major chord: Lydian\n16 | G7         # ♭III7 from the parallel minor: Lydian Dominant\n\nsection: C\n# area: C major (C 1 – Coda 9)\n1  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7alt      # from the symbol: altered\n3  | Dm11       # ii: Dorian, the key’s own notes\n4  | G7sus4b9   # from the symbol: sus b9\n5  | C69        # tonic: the 4th is in the key\n6  | Am7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | F#m7       # ii of B7#9#5: Dorian\n8  | B7#9#5     # extended ii–V: a side-step, its own key; b9, #9, #11 and b13 from the symbol\n9  | Cadd9\u002FBb   # tonic: the 4th is in the key\n10 | A7alt      # from the symbol: altered\n11 | Dm11       # ii of Gsus: Dorian\n12 | Gsus       # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | G7         # V7 of C: natural tensions\n13 | CMaj7\u002FG    # tonic: the 4th is in the key\n14 | G13sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n15 | CMaj7\u002FG    # tonic: the 4th is in the key\n16 | G13sus     # static sus: Mixolydian\n@coda 12\n\nsection: Coda\n1  | CMaj7\u002FG    # tonic: the 4th is in the key\n2  | G13sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | CMaj7\u002FG    # tonic: the 4th is in the key\n4  | G13sus     # static sus: Mixolydian\n5  | F          # IV: the #4 is the key’s 7th\n5  | D\u002FF#       # a non-tonic major chord: Lydian\n6  | Em\u002FG       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | E\u002FG#       # a non-tonic major chord: Lydian\n7  | F\u002FA        # IV: the #4 is the key’s 7th\n7  | BbMaj7     # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n8  | G\u002FB        # V without its 7th: Mixolydian, the key’s own notes\n9  | Cm9        # a borrowed minor chord: Dorian, its own key\n@coda 1\n",1793575899562]