[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:s-o-s":3},"title: S.O.S.\ncomposer: Wes Montgomery\nstyle: Up Tempo Swing\nkey: Cm\nform: ABCBD, 40 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A\n# area: C minor (A 1)\n1 | Cm7     # tonic minor: Dorian by convention\n# area: Ab major (A 2–3)\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n# area: C minor (A 4–6)\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7#5    # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n5 | Cm7     # tonic minor: Dorian by convention\n5 | Eb7     # V7\u002FbVI in C minor: natural tensions\n6 | AbMaj7  # a non-tonic major chord: Lydian\n# area: C major (A 6–7)\n6 | G7#5    # V7 of C: #11 and b13 from the symbol\n7 | CMaj7   # tonic: the 4th is in the key\n# area: C minor (A 8 – B1 1)\n8 | G7      # V7 of C minor: b9 and b13 are in the key\n\nsection: B1\n1 | Cm7     # tonic minor: Dorian by convention\n# area: Ab major (B1 2–3)\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n# area: C minor (B1 4–6)\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7#5    # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n5 | Cm7     # tonic minor: Dorian by convention\n5 | Eb7     # V7\u002FbVI in C minor: natural tensions\n6 | AbMaj7  # a non-tonic major chord: Lydian\n# area: C major (B1 6 – C 2)\n6 | G7#5    # V7 of C: #11 and b13 from the symbol\n7 | CMaj7   # tonic: the 4th is in the key\n8 | CMaj7\n\nsection: C\n1 | Gm7     # ii of the ii–V to F minor\n2 | C7      # V7\u002Fiv in C: natural tensions\n# area: C minor (C 3 – B2 1)\n3 | Fm7     # ii of Bb7: Dorian\n4 | Bb7     # V7\u002FbIII in C minor: natural tensions\n5 | Bb7b5   # tritone substitute: resolves down a half step to A7b9\n6 | A7b9    # tritone substitute: resolves down a half step to Ab7b5; b9 from the symbol\n7 | Ab7b5   # tritone substitute: resolves down a half step to G7#5\n8 | G7#5    # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n\nsection: B2\n1 | Cm7     # tonic minor: Dorian by convention\n# area: Ab major (B2 2–3)\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n# area: C minor (B2 4–6)\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7#5    # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n5 | Cm7     # tonic minor: Dorian by convention\n5 | Eb7     # V7\u002FbVI in C minor: natural tensions\n6 | AbMaj7  # a non-tonic major chord: Lydian\n# area: C major (B2 6–8)\n6 | G7#5    # V7 of C: #11 and b13 from the symbol\n7 | CMaj7   # tonic: the 4th is in the key\n8 | G7b5    # V7 of the CMaj7 before it: the #11 from the symbol\n\nsection: D\n# area: C minor (D 1–2)\n1 | Bb7#9   # V7\u002FbIII in C minor: b9, #9 and #11 from the symbol\n2 | EbMaj7  # bIII of C minor: the relative major itself\n# area: C major (D 3–4)\n3 | G7#9    # V7 of C: b9, #9 and #11 from the symbol\n4 | CMaj7   # tonic: the 4th is in the key\n# area: C minor (D 4–8)\n4 | Bbm7    # ii of the ii–V to Ab\n4 | Eb7     # V7\u002FbVI in C minor: natural tensions\n5 | AbMaj7  # a non-tonic major chord: Lydian\n6 | AbMaj7\n7 | G7b5    # V7 of C minor: 9, #11 and 13 from the symbol\n8 | G7b5\n",1793575899527]