[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:rosetta":3},"title: Rosetta\ncomposer: Earl Hines\nstyle: Medium Up Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – B 3)\n1 | F6     # tonic: the 4th is in the key\n2 | E7     # tritone substitute: resolves down a half step to Eb7\n3 | Eb7    # tritone substitute: resolves down a half step to D7\n4 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n5 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n6 | C7     # V7 in F, not resolving: natural tensions\n7 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7     # V7\u002Fii in F: the b13 is in the key\n8 | Gm7    # ii of the ii–V to F\n8 | C7     # V7 of F: natural tensions\n\nsection: A2\n1 | F6     # tonic: the 4th is in the key\n2 | E7     # tritone substitute: resolves down a half step to Eb7\n3 | Eb7    # tritone substitute: resolves down a half step to D7\n4 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n5 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n6 | C7     # V7 of F: natural tensions\n7 | F6     # tonic: the 4th is in the key\n8 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | E7     # V7\u002Fiii in F: b9 and b13 are in the key\n\nsection: B\n1 | Am     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | E7     # V7\u002Fiii in F: b9 and b13 are in the key\n3 | Am     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: C major (B 4–6)\n4 | Dm7    # ii of the ii–V to C\n4 | G7     # V7 of C: natural tensions\n5 | CMaj7  # tonic: the 4th is in the key\n5 | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Dm7    # ii of G7: Dorian\n6 | G7     # V7\u002FI in C: natural tensions\n# area: F major (B 7 – A3 8)\n7 | Gm7    # ii of the ii–V to F\n8 | C7     # V7 of F: natural tensions\n\nsection: A3\n1 | F6     # tonic: the 4th is in the key\n2 | E7     # tritone substitute: resolves down a half step to Eb7\n3 | Eb7    # tritone substitute: resolves down a half step to D7\n4 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n5 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n6 | C7     # V7 of F: natural tensions\n7 | F6     # tonic: the 4th is in the key\n8 | Gm7    # ii of the ii–V to F\n8 | C7     # V7 of F: natural tensions\n",1793575899451]