[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:rio-de-maio":3},"title: Rio de Maio\ncomposer: Ivan Lins\nstyle: Bossa Nova\nkey: C\nform: ABC, 42 bars\nrecording: Ivan Lins; Jobiniando; Abril Music; 2001\n# analysis: 2026-10-28, rules v2; C\n# recording: Ivan Lins's tribute to Jobim, his own first recording of the song (rule 1); sources: Dicionário Cravo Albin, Wikipedia, MusicBrainz; video: none (no official upload found)\n\nsection: Intro1\n# area: D major (Intro1 1 – B 8)\n1  | GMaj7    # IV: the #4 is the key’s 7th\n2  | G13      # V7\u002FbVII in D: the #11 is in the key\n3  | CMaj7    # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n4  | F9#11    # back door bVII7 to GMaj7: the #11 is in the key\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | GMaj7    # the D7#11 before it makes G the key of the moment: the 4th is in the key\n2  | GMaj7\n3  | A13      # V7 in D, not resolving: natural tensions\n3  | A7b13    # V7 in D, not resolving: the b13 from the symbol\n4  | A7       # V7 in D, not resolving: natural tensions\n4  | A7#11    # V7 in D, not resolving: the #11 from the symbol\n5  | FMaj7    # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n6  | Dm7      # a borrowed minor chord: Dorian, its own key\n7  | Bm7      # ii of E13b9: Dorian\n8  | E13b9    # V7\u002FV in D: the b9 from the symbol\n8  | E7b13    # II7 in D, not resolving: the b13 from the symbol\n9  | AbMaj7   # a non-tonic major chord: Lydian\n10 | Fm7      # a borrowed minor chord: Dorian, its own key\n11 | Dm11     # ii of G7b9: Dorian\n12 | G7b9     # back door bVII7 to AMaj9: the #11 is in the key, the b9 from the symbol\n13 | AMaj9    # a non-tonic major chord: Lydian\n14 | F#m11    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | Cadd9\u002FE  # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n16 | D13      # extended dominant: V7 of G9\n17 | G9       # IV7 in D, not resolving: the #11 is in the key\n18 | G7b9     # IV7 in D, not resolving: the #11 is in the key, the b9 from the symbol\n@segno 1\n@coda 16\n\nsection: B\n1  | C#m7b5   # viiø7 in D: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | Cm9      # a borrowed minor chord: Dorian, its own key\n3  | B13      # VI7 in D, not resolving: the 13 from the symbol\n3  | B7b13    # extended dominant: each one falls a fifth into the next: the b13 from the symbol\n4  | E13      # V7 of V7: the dominant of the dominant: natural tensions\n5  | A13      # V7 in D, not resolving: natural tensions\n5  | A7b13    # extended dominant: V7 of D13; b13 from the symbol\n6  | D13      # I7 in D, not resolving: natural tensions\n6  | D\u002FC      # tonic: the 4th is in the key\n7  | B13      # VI7 in D, not resolving: the 13 from the symbol\n7  | B7b13    # extended dominant: V7 of E9; b13 from the symbol\n8  | E9       # tritone substitute: resolves down a half step to Ebm7\n# area: Db major (B 9–16)\n9  | Ebm7     # ii of the ii–V to Db\n10 | Ab7      # V7 of Db: natural tensions\n11 | DbMaj7   # tonic: the 4th is in the key\n12 | Bbm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Ebm7     # ii of the ii–V to Db\n14 | Ab7      # V7 of Db: natural tensions\n15 | DbMaj7   # tonic: the 4th is in the key\n16 | Cm7      # ii of F13: Dorian\n16 | F13      # tritone substitute: resolves down a half step to Em7\n\nsection: C\n# area: D major (C 1 – Coda 5)\n1  | Em7      # ii of the ii–V to D\n2  | A13      # V7 of D: natural tensions\n3  | DMaj7    # tonic: the 4th is in the key\n4  | Bm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Em7      # ii of the ii–V to D\n6  | A13      # V7 of D: natural tensions\n7  | DMaj7    # tonic: the 4th is in the key\n8  | D7#11    # V7\u002FIV in D: the #11 from the symbol\n@nav 8 D.S. al Coda\n\nsection: Coda\n1  | E69      # a non-tonic major chord: Lydian\n2  | E69\n3  | E69\n4  | E69\n5  | D#7#9    # static dominant: its own mode; b9, #9 and #11 from the symbol\n@coda 1\n",1793484802702]