[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:rhythm-a-ning":3},"title: Rhythm-a-ning\nsubtitle: Up tempo rhythm changes\ncomposer: Thelonious Monk\nstyle: Medium up\nkey: Bb\nform: AABA, 32 bars\nrecording: Art Blakey's Jazz Messengers with Thelonious Monk; Art Blakey's Jazz Messengers with Thelonious Monk; Atlantic; 1958\nyoutube: c5w2yOryQx8\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1957-05-15, the tune's first recording (Wikipedia, jazzdisco, MusicBrainz)\n\n# bar | chord | scale\n\nsection: A1\nbars: 8\n1 | Bb     # tonic: the 4th is in the key\n1 | Bb7\u002FD  # extended dominant: V7 of Eb7\n2 | Eb7    # IV7 in Bb, not resolving: the #11 is in the key\n2 | Edim7  # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n3 | Bb\u002FF   # tonic: the 4th is in the key\n3 | G7     # V7\u002Fii in Bb: the b13 is in the key\n4 | Cm7    # ii of the ii–V to Bb\n4 | F7     # V7 of Bb: natural tensions\n5 | Bb     # tonic: the 4th is in the key\n5 | Bb7\u002FD  # extended dominant: V7 of Eb7\n6 | Eb7    # IV7 in Bb, not resolving: the #11 is in the key\n6 | Edim7  # ♯IV°7 to I: A7♭9 without its root, the ♯II°7's notes\n7 | Bb7    # I7 in Bb, not resolving: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B\nbars: 8\n1 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n3 | G7     # extended dominant: each one falls a fifth into the next: natural tensions\n5 | C7     # V7 of V7: the dominant of the dominant: natural tensions\n7 | F7     # V7 of Bb: natural tensions\n\nsection: A3\ncopy: A1\n",1793484802690]