[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:remember-rockefeller-at-attica":3},"title: Remember Rockefeller at Attica\ncomposer: Charles Mingus\nstyle: Medium up\nkey: Db\nform: ABC, 51 bars\nrecording: Charles Mingus; Changes One; Atlantic; 1975\nyoutube: IM6vIURo5OI\n# analysis: 2026-10-19, rules v2; Db\n# recording: recorded 1974-12-27\u002F28\u002F30, Atlantic Studios, NYC, Charles Mingus with Jack Walrath, George Adams, Don Pullen, Dannie Richmond, the first recording of it, Atlantic SD 1677, released October 1975; sources: jazzdisco, Wikipedia, MusicBrainz; video: \"Provided to YouTube by Rhino Atlantic\", Changes One, the same take (not the 1975 Bremen live version)\n# book: Medium-up swing (in 4); 2-beat feel from letter B, the original feel again at B bar 9\n# book: the whole chart is in repeats; the last bar (51) is piano only every chorus, with a fermata the last time\n\n# bar | chord\n\nsection: A\n# area: Ab major (A 1–15)\n1  | Bbm9      # ii of the ii–V to Ab\n2  | Eb9       # V7 of Ab: natural tensions\n3  | AbMaj7    # tonic: the 4th is in the key\n4  | F7b9      # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n5  | Bb7b9b5   # V7 of V7: the dominant of the dominant: b9 and #11 from the symbol\n6  | Eb7b9b5   # V7 of Ab: b9 and #11 from the symbol\n7  | AbMaj7    # tonic: the 4th is in the key\n8  | D69#11    # a non-tonic major chord: Lydian\n9  | DbMaj9    # IV: the #4 is the key’s 7th\n11 | C7#5#9    # V7 of F7#5#11, on the way to Eb minor: the b13 is in the key, b9, #9 and #11 from the symbol\n13 | F7#5#11   # V7 of Bb7#5#9, on the way to Eb minor: the b13 is in the key, 9 and #11 from the symbol\n15 | Bb7#5#9   # V7 of Eb minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n# bar 16: the book repeats (Bb7(#9 #5)) in parentheses as a reminder; held\n# area: Db major (A 17 – B 1)\n17 | Ebm7      # ii of the ii–V to Db\n19 | Ab13b9    # V7 of Db: the b9 from the symbol\n21 | DbMaj9    # tonic: the 4th is in the key\n23 | D69#11    # ♭II6, borrowed from Db Phrygian: Lydian (its ♯11 is in the key)\n24 | D69#11\n24 | Db69      # tonic: the 4th is in the key\n\nsection: B\nbars: 18\n1  | GbMaj7    # IV: the #4 is the key’s 7th\n# area: F major (B 2–5)\n2  | Gm7       # ii of the ii–V to F\n2  | C7        # V7 of F: natural tensions\n3  | FMaj7     # tonic: the 4th is in the key\n5  | EMaj7     # a non-tonic major chord: Lydian\n# area: Eb major (B 6–9)\n6  | Fm7       # ii of the ii–V to Eb\n6  | Bb7       # V7 of Eb: natural tensions\n7  | EbMaj7    # tonic: the 4th is in the key\n8  | A7b5      # tritone substitute: resolves down a half step to AbMaj7\n9  | AbMaj7    # the A7b5 before it makes Ab the key of the moment: the 4th is in the key\n# area: Db major (B 10–17)\n10 | D7        # tritone substitute: resolves down a half step to DbMaj9\n11 | DbMaj9    # tonic: the 4th is in the key\n12 | C7#9      # V7 of F13#11b9, on the way to Eb minor: the b13 is in the key, b9, #9 and #11 from the symbol\n13 | F13#11b9  # V7 of Bb7b9b5, on the way to Eb minor: the b9 is in the key, #11 and 13 from the symbol\n14 | Bb7b9b5   # V7 of Eb minor, the chain's last link: the b9 is in the key, #11 and 13 from the symbol\n15 | Ebm7      # ii of the ii–V to Db\n16 | Ab13b9    # V7 of Db: the b9 from the symbol\n17 | DbMaj9    # tonic: the 4th is in the key\n\nsection: C\nbars: 10\n# area: Ab major (C 1–8)\n1  | Bbm9      # ii of the ii–V to Ab\n2  | Eb9       # V7 of Ab: natural tensions\n3  | AbMaj7    # tonic: the 4th is in the key\n4  | F7b9      # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n5  | Bb7b9b5   # V7 of V7: the dominant of the dominant: b9 and #11 from the symbol\n6  | Eb7b9b5   # V7 of Ab: b9 and #11 from the symbol\n7  | AbMaj7    # tonic: the 4th is in the key\n8  | D69#11    # a non-tonic major chord: Lydian\n@key 9 Db\n# area: Db major (C 9)\n9  | DbMaj9    # tonic: the 4th is in the key\n# book: DbMa9 (add 13)\n",1793484802684]