[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:reincarnation-of-a-lovebird":3},"title: Reincarnation of a Lovebird\ncomposer: Charles Mingus\nstyle: Medium up\nkey: F#m\nform: ABCDE, 66 bars\nrecording: Charles Mingus; The Clown; Atlantic; 1957\nyoutube: owaJorHIuFo\n# analysis: 2026-10-19, rules v2; F# minor\n# recording: recorded 1957-03-12, NYC, Charles Mingus with Jimmy Knepper, Shafi Hadi (Curtis Porter), Wade Legge, Dannie Richmond, the first issued recording of it (a 1957-02-13 take is unissued), Atlantic 1260, released September 1957; sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Rhino Atlantic\", The Clown, the same take\n# book: Medium-up swing; letter C is a half-time ballad (half note = quarter), letter D back to the original tempo\n# book: the whole chart (A to E) is in repeats; Fine at the end of E; last time: molto rit. in the last two bars\n\n# bar | chord\n\nsection: A\n# area: F# minor (A 1 – C 1)\n1  | F#m      # tonic minor: Dorian by convention\n2  | DMaj7    # a non-tonic major chord: Lydian\n3  | G#7      # V7 of V7: the dominant of the dominant, on the way to F# minor: b9 and b13 are in the key\n4  | C#7#5    # V7 of F# minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n5  | F#m      # tonic minor: Dorian by convention\n6  | D9#11    # bVI7 in F# minor, not resolving: the #11 is in the key\n7  | G#7      # V7 of V7: the dominant of the dominant, on the way to F# minor: b9 and b13 are in the key\n8  | C#7#5    # V7 of F# minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n9  | F#m      # tonic minor: Dorian by convention\n10 | D7#9     # bVI7 in F# minor, not resolving: the #11 is in the key, b9 and #9 from the symbol\n11 | Bm7      # iv: Dorian, the key’s own notes\n12 | Eb13     # extended dominant: each one falls a fifth into the next, on the way to F# minor: the b9 is in the key, the 13 from the…\n13 | G#7#5#9  # V7 of V7: the dominant of the dominant, on the way to F# minor: the b13 is in the key, b9, #9 and #11 from the symbol\n14 | C#7#5    # V7 of F# minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n15 | F#m      # tonic minor: Dorian by convention\n16 | G#m7b5   # iiø7 of F# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | C#7      # V7 of F# minor: b9 and b13 are in the key\n\nsection: B\nbars: 16\n1  | F#m      # tonic minor: Dorian by convention\n2  | DMaj7    # a non-tonic major chord: Lydian\n3  | G#7      # V7 of V7: the dominant of the dominant, on the way to F# minor: b9 and b13 are in the key\n4  | C#7      # V7 of F# minor, the chain's last link: b9 and b13 are in the key\n5  | F#m      # tonic minor: Dorian by convention\n6  | D9#11    # bVI7 in F# minor, not resolving: the #11 is in the key\n7  | G#7      # V7 of V7: the dominant of the dominant, on the way to F# minor: b9 and b13 are in the key\n8  | C#7#5    # V7 of F# minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n9  | F#m      # tonic minor: Dorian by convention\n10 | D7#9     # bVI7 in F# minor, not resolving: the #11 is in the key, b9 and #9 from the symbol\n11 | Bm7      # iv: Dorian, the key’s own notes\n12 | EbMaj7   # a non-tonic major chord: Lydian\n13 | G#7      # V7 of V7: the dominant of the dominant, on the way to F# minor: b9 and b13 are in the key\n14 | C#7#5#9  # V7 of F# minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n15 | F#m      # tonic minor: Dorian by convention\n\nsection: C\n1  | F#m7     # ii of B7: Dorian\n1  | B7       # V7\u002FbVII in F# minor: natural tensions\n# area: E major (C 2–4)\n2  | F#m7     # ii of the ii–V to E\n2  | B7       # V7 of E: natural tensions\n3  | EMaj7    # tonic: the 4th is in the key\n3  | A9#11    # IV7 in E, not resolving: the #11 is in the key\n4  | EMaj7    # tonic: the 4th is in the key\n4  | A9#11    # IV7 in E, not resolving: the #11 is in the key\n\nsection: D\n# area: G major (D 1–6)\n1  | Am7      # ii of the ii–V to G\n2  | D7       # V7 of G: natural tensions\n3  | GMaj7    # tonic: the 4th is in the key\n3  | C7       # IV7 in G, not resolving: the #11 is in the key\n4  | Bm7b5   |  | iiø7\u002Fii  # * iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | Bb7      # tritone substitute: resolves down a half step to Am7\n5  | Am7      # ii of D7b9: Dorian\n6  | D7b9     # V7\u002FI in G: the b9 from the symbol\n# area: F# minor (D 7 – E 22)\n7  | G#7      # V7 of V7: the dominant of the dominant, on the way to F# minor: b9 and b13 are in the key\n8  | C#7      # V7 of F# minor, the chain's last link: b9 and b13 are in the key\n\nsection: E\nbars: 24\n1  | F#m      # tonic minor: Dorian by convention\n2  | DMaj7    # a non-tonic major chord: Lydian\n3  | G#7      # V7 of V7: the dominant of the dominant, on the way to F# minor: b9 and b13 are in the key\n4  | C#7#5    # V7 of F# minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n5  | F#m      # tonic minor: Dorian by convention\n6  | D9#11    # bVI7 in F# minor, not resolving: the #11 is in the key\n7  | G#7      # V7 of V7: the dominant of the dominant, on the way to F# minor: b9 and b13 are in the key\n8  | C#7#5    # V7 of F# minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n9  | F#m      # tonic minor: Dorian by convention\n10 | D7#9     # bVI7 in F# minor, not resolving: the #11 is in the key, b9 and #9 from the symbol\n11 | Bm7      # iv: Dorian, the key’s own notes\n12 | Eb13     # extended dominant: each one falls a fifth into the next, on the way to F# minor: the b9 is in the key, the 13 from the…\n13 | G#7#5#9  # V7 of V7: the dominant of the dominant, on the way to F# minor: the b13 is in the key, b9, #9 and #11 from the symbol\n14 | C#7#5    # V7 of F# minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n15 | F#m      # tonic minor: Dorian by convention\n16 | G#m7b5   # iiø7 of C#7: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | C#7      # V7\u002Fi in F# minor: b9 and b13 are in the key\n17 | Bm7      # iv: Dorian, the key’s own notes\n18 | EbMaj7   # a non-tonic major chord: Lydian\n19 | G#7      # V7 of V7: the dominant of the dominant, on the way to F# minor: b9 and b13 are in the key\n20 | C#7#5#9  # V7 of F# minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n21 | F#m      # tonic minor: Dorian by convention\n22 | F#m\n# alt (optional): bar 22 (G#m7b5 C#7), back to the top\n@nav 22 Fine\n",1793484802655]