[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:reflections":3},"title: Reflections\ncomposer: Thelonious Monk\nstyle: Ballad\nkey: Ab\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n1 | AbMaj7  # tonic: the 4th is in the key\n1 | Gb7     # tritone substitute: resolves down a half step to F7\n1 | F7      # tritone substitute: resolves down a half step to E7\n1 | E7      # ♭VI7 from the parallel minor: Lydian Dominant\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7b9   # V7 of Ab: the b9 from the symbol\n3 | AbMaj7  # tonic: the 4th is in the key\n3 | Bbm7    # ii: Dorian, the key’s own notes\n3 | Bm7     # a borrowed minor chord: Dorian, its own key\n4 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | F7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\n5 | Gm7b5   # viiø7 in Ab: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | Bbm7    # ii of the ii–V to Ab\n6 | Eb7b9   # V7 of Ab: the b9 from the symbol\n7 | AbMaj7  # tonic: the 4th is in the key\n7 | Adim7   # vii°7 of Bbm7: F7♭9 without its root\n8 | Bbm7    # ii: Dorian, the key’s own notes\n8 | F7      # V7\u002Fii in Ab: the b13 is in the key\n8 | Bbm7    # ii: Dorian, the key’s own notes\n8 | A7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n9 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n9 | F7b5    # V7\u002Fii in Ab: #11 and 13 from the symbol\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Bbm7    # ii of Eb7b9: Dorian\n1 | Eb7b9   # extended dominant: V7 of Ab7; b9 from the symbol\n2 | Ab7     # extended dominant: V7 of Db7\n2 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n3 | Gm7     # ii of the ii–V to F minor\n3 | C7b13   # V7\u002Fvi in Ab: b9 and b13 are in the key\n4 | Fm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Fm7     # ii of Bb7b9: Dorian\n6 | Fm7\n6 | Bb7b9   # V7\u002FV in Ab: the b9 from the symbol\n7 | Bbm7    # ii of the ii–V to Ab\n8 | Bbm7\n8 | Eb7b9   # V7 of Ab: the b9 from the symbol\n\nsection: A2\n1 | AbMaj7  # tonic: the 4th is in the key\n1 | Gb7     # tritone substitute: resolves down a half step to F7\n1 | F7      # tritone substitute: resolves down a half step to E7\n1 | E7      # ♭VI7 from the parallel minor: Lydian Dominant\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7b9   # V7 of Ab: the b9 from the symbol\n3 | AbMaj7  # tonic: the 4th is in the key\n3 | Bbm7    # ii: Dorian, the key’s own notes\n3 | Bm7     # a borrowed minor chord: Dorian, its own key\n4 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | F7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\n5 | Gm7b5   # viiø7 in Ab: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | Bbm7    # ii of the ii–V to Ab\n6 | Eb7b9   # V7 of Ab: the b9 from the symbol\n7 | AbMaj7  # tonic: the 4th is in the key\n7 | Gb7     # back door bVII7 to AbMaj7: the #11 is in the key\n8 | AbMaj7  # tonic: the 4th is in the key\n",1793575899137]