[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:reconsider-baby":3},"title: Reconsider Baby\ncomposer: Lowell Fulson\nstyle: Medium Blues\ncontext: blues\nkey: G\nform: AB, 26 bars\nrecording: Lowell Fulson; The Blues, Volume 1; Argo; 1963\nyoutube: lDh5Be6U1io\n# analysis: 2026-10-22, rules v2; G, blues\n# recording: recorded 1954-09-27, Dallas; first issued on 45\u002F78 (Checker 804, 1954); first LP Argo LP 4026, a Chess various-artists set (1963), before Fulson's own Hung Down Head (Chess, 1970) (Discogs, MusicBrainz, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Chess Pieces, the Checker master, the same take\n\nsection: A\n1  | G7      # I7 of the blues: a tonic with dominant color, Mixolydian\n2  | C7      # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n3  | G       # I of the blues: a triad here implies its ♭7, Mixolydian\n4  | G\n5  | C7      # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n6  | C7\n7  | G       # I of the blues: a triad here implies its ♭7, Mixolydian\n8  | G\n8  | G#dim   # vii°7 of Am7: E7♭9 without its root\n9  | Am7     # ii of the ii–V to G\n10 | D7      # V7 of G: natural tensions\n11 | G       # I of the blues: a triad here implies its ♭7, Mixolydian\n12 | D7      # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n\nsection: B\n1  | G7      # I7 of the blues: a tonic with dominant color, Mixolydian\n2  | C7      # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n3  | G       # I of the blues: a triad here implies its ♭7, Mixolydian\n4  | G\n5  | C7      # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n6  | C7\n7  | G       # I of the blues: a triad here implies its ♭7, Mixolydian\n8  | G\n8  | G#dim   # vii°7 of Am7: E7♭9 without its root\n9  | Am7     # ii of the ii–V to G\n10 | D7      # V7 of G: natural tensions\n11 | G       # I of the blues: a triad here implies its ♭7, Mixolydian\n12 | D7      # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n13 | G       # I of the blues: a triad here implies its ♭7, Mixolydian\n13 | G7      # I7 of the blues: a tonic with dominant color, Mixolydian\n13 | C       # IV of the blues: a triad here implies its ♭7, Mixolydian\n13 | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n14 | G\u002FD     # I of the blues: a triad here implies its ♭7, Mixolydian\n14 | Ab13    # tritone substitute: resolves down a half step to G7\n14 | G7      # I7 of the blues: a tonic with dominant color, Mixolydian\n",1793484802598]