[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:rapture":3},"title: Rapture\ncomposer: Harold Land\nstyle: Latin\nkey: F\nform: AAB, 34 bars\nrecording: Harold Land\u002FBlue Mitchell Quintet; Mapenzi; Concord Jazz; 1977\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1977-04-14, Sunwest Recording Studios, Los Angeles, Harold Land with Blue Mitchell (trumpet, the melody), Kirk Lightsey, Reggie Johnson, Al \"Tootie\" Heath, Concord Jazz CJ-44, the composer's first recording of it (jazzdisco, Wikipedia)\n# book: Medium Latin (half note = 122). Trumpet plays the melody throughout; chords in parentheses are used for solos.\n# Solo on form (AAB), taking the \"On Cue\" ending to end the last solo; then D.S. al Coda\n# the book's F(add 9) is written F, Bb13sus is written Bb9sus4\n\n# bar | chord\n# the intro opens with 7 bars of a bass and piano figure with no chords (N.C.); its last bar is Intro bar 1 here\n\nsection: Intro\nbars: 4\n# area: F major (Intro 1 – B 7)\n1  | F(add9)  # tonic: the 4th is in the key\n1  | E7sus4   # static sus: Mixolydian\n1  | CMaj7\u002FD  # a non-tonic major chord: Lydian\n\nsection: A\n1  | DbMaj7   # ♭VImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n@segno 1\n5  | FMaj7    # tonic: the 4th is in the key\n8  | F(add9)  # tonic: the 4th is in the key\n8  | E7sus4   # static sus: Mixolydian\n8  | CMaj7\u002FD  # a non-tonic major chord: Lydian\n# alt (solos): bar 8 (FMaj7)\n9  | F        # tonic: the 4th is in the key\n# alt (solos): bar 9 (FMaj7)\n@ending 1 8\n@ending 2 9\n\nsection: B\n1  | A13b9    # extended dominant: each one falls a fifth into the next, on the way to F minor: b9 and #11 are in the key, the 13 from…\n2  | D7#5#9   # extended dominant: each one falls a fifth into the next, on the way to F minor: the b13 is in the key, b9, #9 and #11 f…\n3  | G13b9    # V7 of V7: the dominant of the dominant, on the way to F minor: the b9 is in the key, the 13 from the symbol\n4  | C7#5#9   # V7 of F minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Fm9      # ii of Bb13sus: Dorian\n7  | Bb13sus  # static sus: Mixolydian\n# area: Eb major (B 9–13)\n9  | Fm9      # ii of the ii–V to Eb\n11 | Bb13b9   # V7 of Eb: the b9 from the symbol\n13 | EbMaj9   # tonic: the 4th is in the key\n# area: C major (B 14–15)\n14 | G7#5b9   # V7 of C: b9, #11 and b13 from the symbol\n@coda 14\n15 | CMaj9    # tonic: the 4th is in the key\n# area: F major (B 17 – Coda 1)\n17 | C7b9#9   # V7 of F: b9, #9 and #11 from the symbol\n# bars 17–18: solo break\n18 | C7b9#9\n19 | F(add9)  # tonic: the 4th is in the key\n19 | E7sus4   # static sus: Mixolydian\n19 | CMaj7\u002FD  # a non-tonic major chord: Lydian\n@ending 1 18\n@ending 2 19\n# book: bar 18 is \"Till Cue\" (repeat to A for solos), bar 19 \"On Cue\"\n@nav 19 D.S. al Coda\n\nsection: Coda\nbars: 4\n1  | CMaj9    # a non-tonic major chord: Lydian\n# book: CMaj9 for 4 bars, then a bass and piano vamp with no chords (N.C.), vamp and fade\n",1793484802568]