[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:question-and-answer":3},"title: Question And Answer\ncomposer: Pat Metheny\nstyle: Waltz\nkey: Dm\ntime: 3\u002F4\nform: AABA, 56 bars\n# analysis: 2026-10-31, rules v2; D minor\n\nsection: A1\n# area: D minor (A1 1 – B 5)\n1  | Dm      # tonic minor: Dorian by convention\n2  | Dmb6    # from the symbol: b6\n3  | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4  | Dm7     # tonic minor: Dorian by convention\n5  | Gm7     # iv: Dorian, the key’s own notes\n6  | Am7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n7  | BbMaj7  # a non-tonic major chord: Lydian\n8  | C7sus   # static sus: Mixolydian\n9  | Dm      # tonic minor: Dorian by convention\n10 | Dmb6    # from the symbol: b6\n11 | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n12 | Cm7     # ii of F7: Dorian\n12 | F7      # V7\u002FbVI in D minor: natural tensions\n13 | B7#9#5  # tritone substitute: resolves down a half step to Bb7#11; b9, #9 and b13 from the symbol\n14 | Bb7#11  # tritone substitute: resolves down a half step to A7#9#5\n15 | A7#9#5  # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n16 | Dm      # tonic minor: Dorian by convention\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Gm7\u002FD   # iv: Dorian, the key’s own notes\n2  | D7b9    # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n3  | Gm7\u002FD   # iv: Dorian, the key’s own notes\n4  | D7b9    # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n5  | Gm7     # iv: Dorian, the key’s own notes\n# area: Db major (B 5–6)\n5  | Ab13    # V7 of Db: natural tensions\n6  | DbMaj7  # tonic: the 4th is in the key\n# area: A major (B 6–7)\n6  | E13     # V7 of A: natural tensions\n7  | AMaj7   # tonic: the 4th is in the key\n# area: D minor (B 7 – A3 16)\n7  | C13     # V7\u002FbIII in D minor: natural tensions\n8  | FMaj7   # bIII of D minor: the relative major itself\n8  | A7b9    # V7 of D minor: b9 and b13 are in the key\n\nsection: A3\n1  | Dm      # tonic minor: Dorian by convention\n2  | Dmb6    # from the symbol: b6\n3  | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4  | Dm7     # tonic minor: Dorian by convention\n5  | Gm7     # iv: Dorian, the key’s own notes\n6  | Am7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n7  | BbMaj7  # a non-tonic major chord: Lydian\n8  | C7sus   # static sus: Mixolydian\n9  | Dm      # tonic minor: Dorian by convention\n10 | Dmb6    # from the symbol: b6\n11 | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n12 | Cm7     # ii of F7: Dorian\n12 | F7      # V7\u002FbVI in D minor: natural tensions\n13 | B7#9#5  # tritone substitute: resolves down a half step to Bb7#11; b9, #9 and b13 from the symbol\n14 | Bb7#11  # tritone substitute: resolves down a half step to A7#9#5\n15 | A7#9#5  # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n16 | Dm      # tonic minor: Dorian by convention\n",1793575898895]