[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:quem-te-viu-quem-te-ve":3},"title: Quem Te Viu, Quem Te Vê\ncomposer: Chico Buarque\nstyle: Samba\nkey: Bm\nform: AB, 36 bars\nrecording: Chico Buarque; Chico Buarque de Hollanda Volume 2; RGE; 1967\nyoutube: rTVFaqMIWD4\n# analysis: 2026-10-28, rules v2; B minor\n# recording: Chico's own first recording (rule 1); sources: Wikipedia, MusicBrainz; video: Zebralution \"Provided to YouTube\" upload (remastered), compilation Minhas Primeiras Gravações, 4:13\n\nsection: Intro\n# area: B minor (Intro 1 – A 14)\n1  | Bm9      # tonic minor: Dorian by convention\n2  | Bm9\n3  | Bm9\n4  | Bm9\n\nsection: A\n1  | Em\u002FB     # iv: Dorian, the key’s own notes\n2  | F#7\u002FA#   # V7 of B minor: b9 and b13 are in the key\n3  | Bm7\u002FA    # ii of E7\u002FG#: Dorian\n4  | E7\u002FG#    # extended dominant: V7 of A7\u002FG\n5  | A7\u002FG     # bVII7 in B minor, not resolving: natural tensions\n6  | A7       # V7\u002FbIII in B minor: natural tensions\n7  | D69      # bIII of B minor: the relative major itself\n8  | D69\n9  | G#dim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n10 | G#dim7\n11 | Gdim7    # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n12 | F#7      # V7 in B minor, not resolving: b9 and b13 are in the key\n13 | Fdim7    # passing diminished: C#7♭9 without its C#, the F#7b13's dominant; not functioning diatonically: the symmetric scale\n14 | Fdim7\n# area: B major (A 15 – B 14)\n15 | F#7b13   # V7 of B: the b13 from the symbol\n16 | F#7b13\n\nsection: B\n1  | B69      # tonic: the 4th is in the key\n2  | B69\n3  | F#7sus   # static sus: Mixolydian\n4  | F#7sus\n5  | Eb7b9\u002FG  # III7 in B, not resolving: b9 and b13 are in the key\n6  | F#m7     # a borrowed minor chord: Dorian, its own key\n7  | E        # IV: the #4 is the key’s 7th\n8  | F#7\u002FA#   # extended dominant: V7 of B7\u002FA\n9  | B7\u002FA     # V7\u002FIV in B: natural tensions\n10 | B7\u002FA\n11 | E\u002FG#     # the B7\u002FA before it makes E the key of the moment: the 4th is in the key\n12 | F#7      # V7 in B, not resolving: natural tensions\n13 | A#m11    # a borrowed minor chord: Dorian, its own key\n14 | G#7      # V7\u002Fii in B: the b13 is in the key\n# area: B minor (B 15–20)\n15 | C#m\u002FG#   # ii of the ii–V to B minor\n16 | F#7      # V7 of B minor: b9 and b13 are in the key\n17 | Bm9      # tonic minor: Dorian by convention\n18 | Bm9\n19 | Bm9\n20 | Bm9\n",1793484802537]