[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:quasimodo":3},"title: Quasimodo\ncomposer: Charlie Parker\nstyle: Medium Swing\nkey: Eb\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n# area: Eb major (A 1–10)\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | D7      # VII7 in Eb, not resolving: b9 and b13 are in the key\n3  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FI in Eb: natural tensions\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n9  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Am7     # ii of the ii–V to G minor\n10 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n# area: Bb major (A 11–15)\n11 | Gm7     # ii of C7: Dorian\n12 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n12 | F7      # V7 of Bb: natural tensions\n13 | Bb6     # tonic: the 4th is in the key\n14 | Cm7     # ii of F7: Dorian\n14 | F7      # V7\u002FI in Bb: natural tensions\n15 | Fm7     # a borrowed minor chord: Dorian, its own key\n15 | C7      # V7\u002Fv in Bb: natural tensions\n# area: Eb major (A 16 – B 16)\n16 | Fm7     # ii of the ii–V to Eb\n16 | Bb7     # V7 of Eb: natural tensions\n\nsection: B\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | D7      # VII7 in Eb, not resolving: b9 and b13 are in the key\n3  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FI in Eb: natural tensions\n5  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\n7  | Bbm7    # a borrowed minor chord: Dorian, its own key\n7  | F7b13   # V7\u002Fv in Eb: the b13 from the symbol\n8  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Dm7     # ii of the ii–V to C minor\n10 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n11 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n12 | Abm7    # iv7 from the parallel minor: Dorian, its notes\n13 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | C7      # V7\u002Fii in Eb: the b13 is in the key\n14 | Fm7     # ii: Dorian, the key’s own notes\n14 | Abm7    # iv7 from the parallel minor: Dorian, its notes\n15 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | C7      # V7\u002Fii in Eb: the b13 is in the key\n16 | Fm7     # ii of the ii–V to Eb\n16 | Bb7     # V7 of Eb: natural tensions\n",1793575898850]