[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:put-on-a-happy-face":3},"title: Put On A Happy Face\ncomposer: Charles Strouse\nstyle: Medium Swing\nkey: Eb\nform: ABCD, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1 | Eb6     # tonic: the 4th is in the key\n1 | AbMaj7  # IV: the #4 is the key’s 7th\n2 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | C7      # V7\u002Fii in Eb: the b13 is in the key\n3 | Fm7     # ii of Bb7: Dorian\n3 | Bb7     # V7\u002FI in Eb: natural tensions\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | Eb6     # tonic: the 4th is in the key\n5 | AbMaj7  # IV: the #4 is the key’s 7th\n6 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7      # V7\u002Fii in Eb: the b13 is in the key\n7 | Fm7     # ii of Bb7: Dorian\n7 | Bb7     # V7\u002FI in Eb: natural tensions\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: B\n1 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n1 | D7      # extended dominant: each one falls a fifth into the next: natural tensions\n2 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n2 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n3 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n4 | Eb7     # V7\u002FIV in Eb: natural tensions\n5 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n5 | D7      # extended dominant: V7 of G7\n6 | G7      # extended dominant: V7 of C7\n6 | C7      # extended dominant: V7 of F7\n7 | F7      # II7 in Eb, not resolving: natural tensions\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: C\n1 | Eb6     # tonic: the 4th is in the key\n1 | AbMaj7  # IV: the #4 is the key’s 7th\n2 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | C7      # V7\u002Fii in Eb: the b13 is in the key\n3 | Fm7     # ii of Bb7: Dorian\n3 | Bb7     # V7\u002FI in Eb: natural tensions\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | Eb6     # tonic: the 4th is in the key\n5 | AbMaj7  # IV: the #4 is the key’s 7th\n6 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7      # V7\u002Fii in Eb: the b13 is in the key\n7 | Fm7     # ii of Bb7: Dorian\n7 | Bb7     # V7\u002FI in Eb: natural tensions\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: D\n1 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n1 | Adim7   # ♯IV°7 to I over its 5th: D7♭9 without its root, the ♯II°7's notes\n2 | Eb6\u002FBb  # tonic: the 4th is in the key\n2 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Fm7     # ii of Bb7: Dorian\n3 | Bb7     # V7\u002FI in Eb: natural tensions\n4 | G7      # extended dominant: V7 of C7\n4 | C7      # extended dominant: V7 of F7\n5 | F7      # II7 in Eb, not resolving: natural tensions\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n7 | C7      # V7\u002Fii in Eb: the b13 is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n",1793575898789]