[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:pure-imagination":3},"title: Pure Imagination\ncomposer: Anthony Newley\nstyle: Ballad\nkey: Eb\nform: AABA, 35 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Fm7     # ii of the ii–V to Eb\n2  | Bb9sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Fm7     # ii: Dorian, the key’s own notes\n3  | F#dim   # vii°7 of Gm7: D7♭9 without its root\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7#9    # V7\u002Fii in Eb: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Fm7     # ii of Bb9sus: Dorian\n6  | Bb9sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | Ebdim7  # auxiliary diminished: it decorates the chord and returns to it\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7#9    # extended ii–V: a side-step, its own key; b9, #9 and #11 from the symbol\n9  | GMaj7   # a non-tonic major chord: Lydian\n10 | GMaj7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # IV: the #4 is the key’s 7th\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb9sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | D7b13   # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7      # extended dominant: V7 of F7\n7  | F7      # II7 in Eb, not resolving: natural tensions\n8  | Fm7     # ii of Bb7sus: Dorian\n9  | Bb7sus  # static sus: Mixolydian\n\nsection: A2\n1  | Fm7     # ii of the ii–V to Eb\n2  | Bb9sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Fm7     # ii: Dorian, the key’s own notes\n3  | F#dim   # vii°7 of Gm7: D7♭9 without its root\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7#9    # V7\u002Fii in Eb: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Fm7     # ii of Bb9sus: Dorian\n6  | Bb9sus  # static sus: Mixolydian\n7  | GMaj7   # a non-tonic major chord: Lydian\n8  | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\n8  | D7      # VII7 in Eb, not resolving: b9 and b13 are in the key\n9  | Eb69    # tonic: the 4th is in the key\n10 | Eb69\n",1793575898769]