[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:promenade":3},"title: Promenade\ncomposer: Denny Zeitlin\nstyle: Medium ballad\nkey: G\nform: ABCDEFGH, 81 bars\nrecording: Denny Zeitlin; Tidal Wave; Palo Alto; 1984\nyoutube: 1I2AMLLf-CQ\n# analysis: 2026-10-19, rules v2; G\n# recording: recorded January–March 1983, Mad Hatter Studios, Los Angeles, Zeitlin with Charlie Haden, John Abercrombie, Peter Donald, Palo Alto PA 8044-N, the first recording of it (MusicBrainz, Jazz Music Archives); video: \"Provided to YouTube by The Orchard\", Tidal Wave (Quicksilver reissue), the same take\n# book: head A–D: March-like (quarter = 90), B Freely, D a tempo, ending at (fine) on C6\u002F9.\n# Solos: Med. Ballad (quarter = 69) on E F G H (F \"Swing (in 2)\", H \"in 4\"; F and G may also be swung in 4); after solos, D.C. al fine\n# the book's Ma13 chords are written Maj9 (FMa13 → FMaj9), 13sus → 9sus4, mi11(b5) → m7b5, B(add #11)\u002FF# → B\u002FF#\n\n# bar | chord\n\nsection: A\n# area: G major (A 1–7)\n1  | Gsus        # static sus: Mixolydian\n1  | G           # tonic: the 4th is in the key\n1  | D\u002FF#        # V without its 7th: Mixolydian, the key’s own notes\n2  | FMaj9       # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n# book: FMa13\n2  | Em11        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Dm11        # ii of the ii–V to C\n3  | G13sus      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | CMaj9       # IV: the #4 is the key’s 7th\n# book: CMa13\n4  | EbMaj9#11   # from the symbol: #11\n4  | DbMaj9#11   # from the symbol: #11\n5  | Gsus        # static sus: Mixolydian\n5  | G           # tonic: the 4th is in the key\n5  | D\u002FF#        # V without its 7th: Mixolydian, the key’s own notes\n6  | Fm7b5       # bviiø7 in G: Locrian, its own mode (the chord is outside the key)\n6  | E\u002FBb        # a non-tonic major chord: Lydian\n6  | EbMaj7      # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n7  | A13         # II7 in G, not resolving: natural tensions\n# area: D major (A 7 – B 2)\n7  | A7#5#9      # V7 of D: b9, #9, #11 and b13 from the symbol\n7  | DMaj9       # tonic: the 4th is in the key\n7  | G13#11      # IV7 in D, not resolving: the #11 is in the key\n8  | B\u002FF#        # a non-tonic major chord: Lydian\n# book: B(add #11)\u002FF#\n8  | BbMaj7#5\u002FF  # from the symbol: #5\n\nsection: B\n1  | E7alt       # from the symbol: altered\n2  | A13sus      # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: D minor (B 2 – C 1)\n2  | A7b9b5      # V7 of D minor: the b9 is in the key, #11 and 13 from the symbol\n3  | Dm11        # tonic minor: Dorian by convention\n3  | A\u002FC#        # a non-tonic major chord: Lydian\n3  | Dm11\u002FC      # tonic minor: Dorian by convention\n4  | Bm7b5       # iiø7 of E13b9: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Bm11(b5)\n4  | E13b9       # V7\u002Fv in D minor: the b9 is in the key, the 13 from the symbol\n4  | E7#5#9      # V7\u002Fv in D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Am11        # ii of D7#5b9: Dorian\n5  | D7#5b9      # V7\u002Fiv in D minor: the b13 is in the key, b9 and #11 from the symbol\n6  | Gm7b5       # ivø7 in D minor: Locrian, its own mode (the chord is outside the key)\n# book: Gm11(b5)\n6  | Db9#11      # tritone substitute: resolves down a half step to C13b9\n6  | C13b9       # extended dominant: V7 of Fsus; b9 from the symbol\n7  | Fsus        # static sus: Mixolydian\n7  | A9\u002FE        # V7 in D minor, not resolving: the b13 is in the key, the 9 from the symbol\n@time 3 3\u002F4\n@time 4 4\u002F4\n\nsection: C\n1  | Ebm11       # a borrowed minor chord: Dorian, its own key\n1  | Dbm11       # a borrowed minor chord: Dorian, its own key\n# area: Bb minor (C 2–6)\n2  | Cm11        # ii of the ii–V to Bb minor\n2  | F7b9b5      # V7 of Bb minor: the b9 is in the key, #11 and 13 from the symbol\n3  | Bbm11       # tonic minor: Dorian by convention\n3  | F\u002FA         # a non-tonic major chord: Lydian\n3  | Bbm11\u002FAb    # tonic minor: Dorian by convention\n4  | Gm7b5       # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Gm11(b5)\n4  | C7#5b9      # V7\u002Fv in Bb minor: b9 and b13 are in the key, the #11 from the symbol\n5  | Fm11        # ii of Bb7b9b5: Dorian\n5  | Bb7b9b5     # V7\u002Fiv in Bb minor: b9, #11 and 13 from the symbol\n6  | Ebm7b5      # ivø7 in Bb minor: Locrian, its own mode (the chord is outside the key)\n# book: Ebm11(b5)\n# area: G major (C 6 – E 10)\n6  | Am7         # ii of the ii–V to G\n6  | D7          # V7 of G: natural tensions\n@time 3 3\u002F4\n@time 4 4\u002F4\n\nsection: D\n1  | G           # tonic: the 4th is in the key\n1  | D\u002FF#        # V without its 7th: Mixolydian, the key’s own notes\n2  | FMaj9       # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n# book: FMa13\n2  | Em11        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Dm11        # ii of the ii–V to C\n3  | G13sus      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | CMaj9       # IV: the #4 is the key’s 7th\n# book: CMa13\n4  | EbMaj9#11   # from the symbol: #11\n4  | DbMaj9#11   # from the symbol: #11\n5  | G           # tonic: the 4th is in the key\n5  | D\u002FF#        # V without its 7th: Mixolydian, the key’s own notes\n6  | Fm7b5       # bviiø7 in G: Locrian, its own mode (the chord is outside the key)\n6  | E\u002FBb        # a non-tonic major chord: Lydian\n6  | EbMaj7      # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n7  | B13#11      # V7\u002Fvi in G: 9, #11 and 13 from the symbol\n7  | Em11        # ii of A13: Dorian\n7  | A13         # extended dominant: V7 of D9sus4\n8  | D9sus4      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | G9sus4      # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | G13b9       # V7\u002FIV in G: the b9 from the symbol\n8  | C69         # the G13b9 before it makes C the key of the moment: the 4th is in the key\n@nav 8 Fine\n# alt: bar 8 (D13) after C6\u002F9, back to the top\n# book: bar 8 reads D9 sus4–3 (the sus resolving to the 3rd), G9sus, G13(b9), C6\u002F9 (fine)\n\nsection: E\n# E–H: solos (Med. Ballad)\n1  | GMaj7       # tonic: the 4th is in the key\n2  | D\u002FF#        # V without its 7th: Mixolydian, the key’s own notes\n3  | FMaj9       # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n# book: FMa13\n4  | Em11        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Dm11        # ii of the ii–V to C\n5  | G9          # V7\u002FIV in G: natural tensions\n6  | CMaj9       # the G9 before it makes C the key of the moment: the 4th is in the key\n7  | EbMaj9#11   # from the symbol: #11\n8  | DbMaj9#11   # from the symbol: #11\n9  | GMaj7       # tonic: the 4th is in the key\n10 | D\u002FF#        # V without its 7th: Mixolydian, the key’s own notes\n# area: Eb major (E 11–13)\n11 | Fm7b5       # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | Bb7#5#9     # V7 of Eb: b9, #9, #11 and b13 from the symbol\n12 | EbMaj7      # tonic: the 4th is in the key\n13 | A13         # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n# area: D major (E 13 – F 3)\n13 | A7#5#9      # V7 of D: b9, #9, #11 and b13 from the symbol\n14 | DMaj9       # tonic: the 4th is in the key\n14 | G13#11      # IV7 in D, not resolving: the #11 is in the key\n15 | B\u002FF#        # a non-tonic major chord: Lydian\n# book: B(add #11)\u002FF#\n16 | BbMaj7#5\u002FF  # from the symbol: #5\n\nsection: F\n# F: Swing (in 2)\n1  | E7alt       # from the symbol: altered\n3  | A13sus      # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: D minor (F 4 – G 1)\n4  | A7b9b5      # V7 of D minor: the b9 is in the key, #11 and 13 from the symbol\n5  | Dm11        # tonic minor: Dorian by convention\n6  | A\u002FC#        # a non-tonic major chord: Lydian\n6  | Dm11\u002FC      # tonic minor: Dorian by convention\n7  | Bm7b5       # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Bm11(b5)\n8  | E13b9       # V7\u002Fv in D minor: the b9 is in the key, the 13 from the symbol\n# alt: bar 8 (E7#5#9)\n9  | Am11        # ii of D7#5b9: Dorian\n10 | D7#5b9      # V7\u002Fiv in D minor: the b13 is in the key, b9 and #11 from the symbol\n11 | Gm7b5       # ivø7 in D minor: Locrian, its own mode (the chord is outside the key)\n# book: Gm11(b5)\n12 | Db9#11      # tritone substitute: resolves down a half step to C13b9\n12 | C13b9       # extended dominant: V7 of Fsus; b9 from the symbol\n13 | Fsus        # static sus: Mixolydian\n14 | Fsus\n14 | A9\u002FE        # V7 in D minor, not resolving: the b13 is in the key, the 9 from the symbol\n\nsection: G\n1  | Ebm11       # a borrowed minor chord: Dorian, its own key\n1  | Dbm11       # a borrowed minor chord: Dorian, its own key\n# area: Bb minor (G 2–6)\n2  | Cm11        # ii of the ii–V to Bb minor\n2  | F7b9b5      # V7 of Bb minor: the b9 is in the key, #11 and 13 from the symbol\n3  | Bbm11       # tonic minor: Dorian by convention\n3  | F\u002FA         # a non-tonic major chord: Lydian\n3  | Bbm11\u002FAb    # tonic minor: Dorian by convention\n4  | Gm7b5       # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Gm11(b5)\n4  | C7#5b9      # V7\u002Fv in Bb minor: b9 and b13 are in the key, the #11 from the symbol\n5  | Fm11        # ii of Bb7b9b5: Dorian\n5  | Bb7b9b5     # V7\u002Fiv in Bb minor: b9, #11 and 13 from the symbol\n6  | Ebm7b5      # ivø7 in Bb minor: Locrian, its own mode (the chord is outside the key)\n# book: Ebm11(b5)\n# area: G major (G 6 – H 10)\n6  | Am7         # ii of the ii–V to G\n6  | D7          # V7 of G: natural tensions\n\nsection: H\nbars: 19\n# H: in 4\n1  | GMaj7       # tonic: the 4th is in the key\n2  | D\u002FF#        # V without its 7th: Mixolydian, the key’s own notes\n3  | FMaj9       # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n# book: FMa13\n4  | Em11        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Dm11        # ii of the ii–V to C\n5  | G9          # V7\u002FIV in G: natural tensions\n6  | CMaj9       # the G9 before it makes C the key of the moment: the 4th is in the key\n7  | EbMaj9#11   # from the symbol: #11\n8  | DbMaj9#11   # from the symbol: #11\n9  | GMaj7       # tonic: the 4th is in the key\n10 | D\u002FF#        # V without its 7th: Mixolydian, the key’s own notes\n# area: Eb major (H 11–13)\n11 | Fm7b5       # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | Bb7#5#9     # V7 of Eb: b9, #9, #11 and b13 from the symbol\n12 | EbMaj7      # tonic: the 4th is in the key\n13 | B13#11      # V7\u002Fbii in Eb: the #11 is in the key, the 9 from the symbol\n# area: G major (H 14–16)\n14 | Em11        # ii of A13: Dorian\n14 | A13         # extended dominant: V7 of D9sus4\n15 | D9sus4      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n15 | G9          # V7\u002FIV in G: natural tensions\n16 | C69         # the G9 before it makes C the key of the moment: the 4th is in the key\n# alt (optional): bar 16 (Am7 D7) on beats 3–4, the turnaround\n@nav 16 D.C. al Fine\n# book: solo on E F G H; after solos, D.C. al fine\n",1793484802523]