[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:prism":3},"title: Prism\ncomposer: Keith Jarrett\nstyle: Ballad\nkey: Gm\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; G minor\n\nsection: A\n# area: G minor (A 1–3)\n1  | Gm          # tonic minor: Dorian by convention\n2  | Gmb6        # from the symbol: b6\n3  | Em7b5       # viø7 in G minor: Locrian, its own mode (the chord is outside the key)\n# area: B minor (A 4–10)\n4  | C#m7b5      # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | F#7b9       # V7 of B minor: b9 and b13 are in the key\n5  | Bm7         # tonic minor: Dorian by convention\n5  | Dm7         # a borrowed minor chord: Dorian, its own key\n6  | A13b9       # V7 of the Dm7 before it: the b9 from the symbol\n6  | Gm          # a borrowed minor chord: Dorian, its own key\n7  | Dm7         # a borrowed minor chord: Dorian, its own key\n8  | D7b9        # bIII7 in B minor, not resolving: the b9 from the symbol\n9  | Cm7         # a borrowed minor chord: Dorian, its own key\n9  | Gm7         # a borrowed minor chord: Dorian, its own key\n10 | Em7b5       # ivø7 in B minor: Locrian, its own mode (the chord is outside the key)\n# area: A minor (A 10 – B 16)\n10 | E7b9        # V7 of A minor: b9 and b13 are in the key\n11 | Am          # tonic minor: Dorian by convention\n12 | E7b9        # V7 of the Am before it: b9 and b13 are in the key\n13 | FMaj7       # a non-tonic major chord: Lydian\n13 | CMaj7       # bIII of A minor: the relative major itself\n14 | Cm7         # a borrowed minor chord: Dorian, its own key\n14 | Gm7         # a borrowed minor chord: Dorian, its own key\n15 | F#m7        # a borrowed minor chord: Dorian, its own key\n16 | Bm7         # ii of E7b9: Dorian\n16 | E7b9        # extended ii–V: a side-step, its own key; b9 from the symbol\n\nsection: B\n1  | F#m7        # a borrowed minor chord: Dorian, its own key\n2  | F#m7b5\u002FB    # viø7 in A minor: Locrian, its own mode (the chord is outside the key)\n2  | F#13b9      # extended dominant: V7 of B9sus; b9 from the symbol\n3  | B9sus       # static sus: Mixolydian\n3  | B7sus4b9\u002FB  # from the symbol: sus b9\n4  | B7#5        # II7 in A minor, not resolving: b9 and b13 are in the key, the #11 from the symbol\n4  | B\u002FA         # a non-tonic major chord: Lydian\n5  | GMaj7#5     # from the symbol: #5\n6  | F#m7b5      # viø7 in A minor: Locrian, its own mode (the chord is outside the key)\n7  | CMaj7       # bIII of A minor: the relative major itself\n8  | Bm7         # ii of E7b9: Dorian\n8  | E7b9        # extended ii–V: a side-step, its own key; b9 from the symbol\n9  | F#m7b5      # viø7 in A minor: Locrian, its own mode (the chord is outside the key)\n9  | FMaj7       # a non-tonic major chord: Lydian\n10 | E13b9       # V7 in A minor, not resolving: the b9 is in the key, the 13 from the symbol\n10 | D\u002FF#        # a non-tonic major chord: Lydian\n10 | E\u002FG#        # a non-tonic major chord: Lydian\n11 | CMaj7#5     # from the symbol: #5\n11 | F9sus       # static sus: Mixolydian\n12 | F9sus\n12 | FMaj7#11    # from the symbol: #11\n13 | CMaj7\u002FE     # bIII of A minor: the relative major itself\n13 | A\u002FE         # a non-tonic major chord: Lydian\n14 | A\u002FE\n15 | Bb\u002FE        # a non-tonic major chord: Lydian\n16 | B\u002FE         # a non-tonic major chord: Lydian\n16 | C\u002FD         # bIII of A minor: the relative major itself\n",1793575898717]