[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:pretend":3},"title: Pretend\ncomposer: Douglas, Parman, Lavere\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | CMaj7   # tonic: the 4th is in the key\n2  | CMaj7\n3  | Dm7     # ii of the ii–V to C\n4  | Dm7\n5  | G7      # V7 of C: natural tensions\n6  | G7\n7  | CMaj7   # tonic: the 4th is in the key\n8  | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | C6      # tonic: the 4th is in the key\n10 | C6\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Dm7     # ii of the ii–V to C\n2  | G7      # V7 of C: natural tensions\n3  | C6      # tonic: the 4th is in the key\n4  | C6\n5  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n7  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Ebdim7  # passing diminished: D7♭9 without its D, the G7sus's dominant (Dm7 its ii)\n8  | Dm7     # ii of the ii–V to C\n8  | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n2  | CMaj7\n3  | Dm7     # ii of the ii–V to C\n4  | Dm7\n5  | G7      # V7 of C: natural tensions\n6  | G7\n7  | CMaj7   # tonic: the 4th is in the key\n8  | Dm7     # ii of the ii–V to C\n8  | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n",1793575898689]