[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:portrait-of-jennie":3},"title: Portrait Of Jennie\ncomposer: Burdge, Robinson\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1–9)\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7\u002FIV in Eb: natural tensions\n3  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4  | Abm7    # ii of Db7: Dorian\n4  | Db7     # extended ii–V: a side-step, its own key\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n# area: G major (A1 10 – B 1)\n10 | Am7     # ii of the ii–V to G\n10 | D7      # V7 of G: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | GMaj7   # tonic: the 4th is in the key\n# area: Bb major (B 2–6)\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n5  | Cm7     # ii of F7: Dorian\n6  | F7      # V7\u002FI in Bb: natural tensions\n# area: Eb major (B 7 – A2 8)\n7  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7\u002FIV in Eb: natural tensions\n3  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4  | Abm7    # ii of Db7: Dorian\n4  | Db7     # extended ii–V: a side-step, its own key\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\n7  | Fm7     # ii of the ii–V to Eb\n7  | Bb7b9   # V7 of Eb: the b9 from the symbol\n8  | Eb6     # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575898656]