[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:poor-butterfly":3},"title: Poor Butterfly\ncomposer: Raymon Hubbell\nstyle: Ballad\nkey: Ab\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n1 | Bbm7     # ii of Eb7sus: Dorian\n2 | Eb7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | Eb7b9    # V7 of Ab: the b9 from the symbol\n3 | Abdim7   # auxiliary diminished: it decorates the chord and returns to it\n4 | AbMaj7   # tonic: the 4th is in the key\n5 | C7#9#5   # extended dominant: V7 of F7; b9, #9, #11 and b13 from the symbol\n6 | C7#9#5\n7 | F7       # VI7 in Ab, not resolving: the b13 is in the key\n8 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | F7       # V7\u002Fii in Ab: the b13 is in the key\n\nsection: B\n1 | Bbm7     # ii of Eb7: Dorian\n2 | Eb7      # V7\u002FI in Ab: natural tensions\n3 | Gm7b5    # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | C7b13    # V7\u002Fvi in Ab: b9 and b13 are in the key\n4 | Fm7      # ii of Bb7: Dorian\n5 | Bb7      # extended dominant: V7 of Bbm7\u002FEb\n6 | Bb7\n7 | Bbm7\u002FEb  # static sus: Mixolydian\n8 | Cm7b5    # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | F7b9     # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n\nsection: A2\n1 | Bbm7     # ii of Eb7sus: Dorian\n2 | Eb7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | Eb7b9    # V7 of Ab: the b9 from the symbol\n3 | Abdim7   # auxiliary diminished: it decorates the chord and returns to it\n4 | AbMaj7   # tonic: the 4th is in the key\n5 | C7#9#5   # extended dominant: V7 of F7; b9, #9, #11 and b13 from the symbol\n6 | C7#9#5\n7 | F7       # VI7 in Ab, not resolving: the b13 is in the key\n8 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | F7       # V7\u002Fii in Ab: the b13 is in the key\n\nsection: C\n1 | Bbm7     # ii: Dorian, the key’s own notes\n2 | Dbm7     # ii of Gb7: Dorian\n2 | Gb7      # extended ii–V: a side-step, its own key\n3 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Db7#11   # tritone substitute: resolves down a half step to Cm7\n4 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Bdim7    # passing diminished: Bb7♭9 without its Bb, the Eb7's dominant (Bbm7 its ii)\n5 | Bbm7     # ii of the ii–V to Ab\n6 | Eb7      # V7 of Ab: natural tensions\n7 | Ab6      # tonic: the 4th is in the key\n7 | Db7      # tritone substitute: resolves down a half step to Cm7\n8 | Cm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | F7       # V7\u002Fii in Ab: the b13 is in the key\n",1793575898632]