[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ponteio":3},"title: Ponteio\ncomposer: Edu Lobo, José Carlos Capinan\nstyle: Baião\nkey: G\nform: AABCCD, 50 bars\nrecording: Edu Lobo & Marília Medalha; 3º Festival da Música Popular Brasileira; Philips; 1967\n# analysis: 2026-10-28, rules v2; G\n# recording: Philips R 765.014 L, November 1967, with Momento Quatro and Quarteto Novo; the winning song of TV Record's III Festival, the composer's own first recording (rule 1); sources: MusicBrainz, BnF catalogue, Wikipedia; video: none (only fan uploads of the festival broadcast)\n\nsection: Intro\n# area: G major (Intro 1 – B 8)\n1  | EmMaj7   # from the symbol: minor-major 7th\n2  | EmMaj7\n3  | EmMaj7\n4  | EmMaj7\n5  | FMaj9    # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n6  | FMaj9\n7  | FMaj9\n8  | FMaj9\n9  | EmMaj7   # from the symbol: minor-major 7th\n10 | EmMaj7\n11 | EmMaj7\n12 | EmMaj7\n13 | FMaj9    # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n14 | FMaj9\n15 | FMaj9\n16 | FMaj9\n\nsection: A1\n1  | EmMaj7   # from the symbol: minor-major 7th\n2  | EmMaj7\n3  | EmMaj7\n4  | EmMaj7\n5  | FMaj9    # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n6  | FMaj9\n7  | FMaj9\n8  | FMaj9\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Am9      # ii: Dorian, the key’s own notes\n2  | Am9\n3  | Am9\u002FG    # ii: Dorian, the key’s own notes\n4  | Am9\u002FG\n5  | CMaj9    # IV: the #4 is the key’s 7th\n6  | CMaj9\u002FB  # from the symbol: sus b9\n7  | Am9      # ii: Dorian, the key’s own notes\n8  | Am9\u002FG    # ii: Dorian, the key’s own notes\n# area: E major (B 9 – Coda 4)\n9  | F#m7     # ii of the ii–V to E\n10 | B7       # V7 of E: natural tensions\n\nsection: C1\n1  | E69      # tonic: the 4th is in the key\n2  | D69      # ♭VII6, borrowed from E minor: Lydian (its ♯11 is in the key)\n3  | E69      # tonic: the 4th is in the key\n4  | D69      # ♭VII6, borrowed from E minor: Lydian (its ♯11 is in the key)\n5  | E69      # tonic: the 4th is in the key\n6  | D69      # ♭VII6, borrowed from E minor: Lydian (its ♯11 is in the key)\n7  | E69      # tonic: the 4th is in the key\n8  | D69      # ♭VII6, borrowed from E minor: Lydian (its ♯11 is in the key)\n@coda 8\n\nsection: C2\ncopy: C1\n\nsection: D\n1  | EmMaj7   # from the symbol: minor-major 7th\n2  | EmMaj7\n3  | FMaj9    # ♭IImaj7, borrowed from E Phrygian: Lydian (its ♯11 is in the key)\n4  | FMaj9\n5  | EmMaj7   # from the symbol: minor-major 7th\n6  | EmMaj7\n7  | FMaj9    # ♭IImaj7, borrowed from E Phrygian: Lydian (its ♯11 is in the key)\n8  | FMaj9\n@nav 7 D.S. al Coda\n\nsection: Coda\n1  | A7       # IV7 in E, not resolving: the #11 is in the key\n1  | B7       # V7 in E, not resolving: natural tensions\n2  | A7       # IV7 in E, not resolving: the #11 is in the key\n2  | B7       # V7 in E, not resolving: natural tensions\n2  | A7       # IV7 in E, not resolving: the #11 is in the key\n2  | B7       # V7 in E, not resolving: natural tensions\n3  | C7       # ♭VI7 from the parallel minor: Lydian Dominant\n3  | D7       # ♭VII7 from the parallel minor: Lydian Dominant\n4  | C7       # ♭VI7 from the parallel minor: Lydian Dominant\n4  | D7       # ♭VII7 from the parallel minor: Lydian Dominant\n4  | C7       # ♭VI7 from the parallel minor: Lydian Dominant\n# area: G major (Coda 4–15)\n4  | D7       # V7 of G: natural tensions\n5  | G        # tonic: the 4th is in the key\n5  | N.C.\n6  | N.C.\n7  | N.C.\n8  | N.C.\n9  | G\n10 | F        # ♭VII, borrowed from G minor: Lydian (its ♯11 is in the key)\n11 | G        # tonic: the 4th is in the key\n12 | F        # ♭VII, borrowed from G minor: Lydian (its ♯11 is in the key)\n13 | G        # tonic: the 4th is in the key\n13 | N.C.\n14 | N.C.\n15 | F        # ♭VII, borrowed from G minor: Lydian (its ♯11 is in the key)\n15 | G        # tonic: the 4th is in the key\n@coda 1\n",1793484802506]