[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:pois-e":3},"title: Pois É\ncomposer: Antonio Carlos Jobim, Chico Buarque\nstyle: Bossa Nova\nkey: Fm\nform: AB, 34 bars\nrecording: Chico Buarque; Chico Buarque de Hollanda Nº 4; Philips; 1970\nyoutube: SOH3FuFtNLA\n# analysis: 2026-10-28, rules v2; F minor\n# recording: prod. Manoel Barenbein; Chico's own first recording (rule 1), before Elis & Tom (1974); sources: MusicBrainz, Wikipedia; video: Universal Music Group \"Provided to YouTube\" upload, album Chico Buarque De Hollanda Nº4, 2:34\n\nsection: A\n# area: F minor (A 1 – B 9)\n1  | Bb13#11    # IV7 in F minor, not resolving: the #11 from the symbol\n1  | Fmb6       # from the symbol: b6\n2  | Fm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Fm7        # tonic minor: Dorian by convention\n3  | FmMaj7     # from the symbol: minor-major 7th\n3  | Fm7        # tonic minor: Dorian by convention\n4  | Fm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4  | Fmb6       # from the symbol: b6\n5  | Fm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5  | B7b5       # tritone substitute: resolves down a half step to Bb7\n6  | Bb7        # tritone substitute: resolves down a half step to A7\n6  | A7         # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | Bb7sus     # IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | Bb7b9      # IV7 in F minor, not resolving: the b9 from the symbol\n9  | Bbm7       # iv: Dorian, the key’s own notes\n9  | Bbmb6      # from the symbol: b6\n10 | Bbm6       # a minor sixth chord: Dorian\n10 | Bbm7       # iv: Dorian, the key’s own notes\n11 | BbmMaj7    # from the symbol: minor-major 7th\n11 | Bbm7       # iv: Dorian, the key’s own notes\n12 | Bbm6       # a minor sixth chord: Dorian\n12 | Bbmb6      # from the symbol: b6\n13 | Bbm        # iv: Dorian, the key’s own notes\n13 | E7b5       # tritone substitute: resolves down a half step to Eb7\n14 | Eb7        # tritone substitute: resolves down a half step to D7\n14 | D7         # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n15 | Eb7sus     # static sus: Mixolydian\n16 | Eb7sus4b9  # from the symbol: sus b9\n\nsection: B\n1  | Ebm7       # a borrowed minor chord: Dorian, its own key\n1  | Ebmb6      # from the symbol: b6\n2  | Ebm6       # a minor sixth chord: Dorian\n2  | Ebm7       # a borrowed minor chord: Dorian, its own key\n3  | EbmMaj7    # from the symbol: minor-major 7th\n3  | Ebm7       # a borrowed minor chord: Dorian, its own key\n4  | Ebm6       # a minor sixth chord: Dorian\n4  | Ebmb6      # from the symbol: b6\n5  | Ebm7       # ii of Ab7sus: Dorian\n6  | Ab7sus     # static sus: Mixolydian\n7  | Bb\u002FD       # a non-tonic major chord: Lydian\n8  | Bb\u002FD\n9  | Bbm\u002FDb     # iv: Dorian, the key’s own notes\n# area: B major (B 10–15)\n10 | C7#11      # tritone substitute: resolves down a half step to BMaj7\n11 | BMaj7      # tonic: the 4th is in the key\n12 | Bb7sus     # V7sus4 of Eb9sus: the b13 is in the key\n13 | Eb9sus     # static sus: Mixolydian\n14 | Eb7sus4b9  # from the symbol: sus b9\n15 | AbMaj9     # a non-tonic major chord: Lydian\n# area: F minor (B 16–18)\n16 | Fm7        # ii of Bb13#11: Dorian\n17 | Bb13#11    # V7\u002FbVII in F minor: the #11 from the symbol\n18 | Bb13#11\n",1793484802451]