[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ping-pong":3},"title: Ping Pong\ncomposer: Wayne Shorter\nstyle: Medium Up Swing\nkey: C\nform: AAB, 48 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: Intro1\n# area: C major (Intro1 1 – A1 9)\n1  | Bb13       # ♭VII7 from the parallel minor: Lydian Dominant\n2  | B13        # tritone substitute: resolves down a half step to Bb13\n3  | Bb13       # ♭VII7 from the parallel minor: Lydian Dominant\n4  | B13        # tritone substitute: resolves down a half step to Bb13\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | Bb13       # ♭VII7 from the parallel minor: Lydian Dominant; the repeat at A2 bar 1 would be Bb Mixolydian\n2  | B13        # tritone substitute: resolves down a half step to Bb13\n3  | Bb13       # ♭VII7 from the parallel minor: Lydian Dominant; the repeat at A2 bar 3 would be Bb Mixolydian\n4  | B13        # tritone substitute: resolves down a half step to Bb13\n5  | Bb13       # ♭VII7 from the parallel minor: Lydian Dominant; the repeat at A2 bar 5 would be Bb Mixolydian\n6  | B13        # tritone substitute: resolves down a half step to Bb13\n7  | Bb13       # ♭VII7 from the parallel minor: Lydian Dominant; the repeat at A2 bar 7 would be Bb Mixolydian\n8  | B13        # back door bVII7 to DbMaj7: the b9 is in the key, the 13 from the sym…; the repeat at A2 bar 8 would be B Lydian Dominant\n9  | DbMaj7     # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key); the repeat at A2 bar 9 would be Db Ionian\n# area: Bb major (A1 10–12)\n10 | Cm7        # ii of the ii–V to Bb\n10 | F7#5       # V7 of Bb: #11 and b13 from the symbol\n11 | BbMaj7     # tonic: the 4th is in the key\n12 | AbMaj7     # ♭VIImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n# area: Gb major (A1 13–14)\n13 | G7b9       # tritone substitute: resolves down a half step to GbMaj7; b9 from the symbol\n14 | GbMaj7     # tonic: the 4th is in the key\n# area: Eb major (A1 15–16)\n15 | Fm7        # ii of the ii–V to Eb\n15 | Bb7        # V7 of Eb: natural tensions\n16 | EbMaj7     # tonic: the 4th is in the key\n# area: Db major (A1 17 – A2 9)\n17 | D7b9#5     # tritone substitute: resolves down a half step to DbMaj7; b9 and b13 from the symbol\n18 | DbMaj7     # tonic: the 4th is in the key\n19 | Cm7        # ii of F7: Dorian\n20 | F7         # extended dominant: V7 of Bb13; the repeat at A2 bar 20 would be F Phrygian Dominant\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: Ab major (B 1–8)\n1  | Bbm7       # ii of the ii–V to Ab\n2  | Eb7        # V7 of Ab: natural tensions\n3  | AbMaj7     # tonic: the 4th is in the key\n4  | GbMaj7#11  # from the symbol: #11\n5  | Fm7        # ii of Bb7: Dorian\n6  | Bb7        # V7\u002FV in Ab: natural tensions\n7  | F#m7       # ii of B7: Dorian\n8  | B7         # tritone substitute: resolves down a half step to Bb13\n",1793575898505]