[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:pick-yourself-up":3},"title: Pick Yourself Up\ncomposer: Jerome Kern\nstyle: Medium Up Swing\nkey: F\nform: ABCA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–8)\n1 | Gm7     # ii of the ii–V to F\n1 | C7      # V7 of F: natural tensions\n2 | FMaj7   # tonic: the 4th is in the key\n2 | BbMaj7  # IV: the #4 is the key’s 7th\n3 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n4 | Dm7     # ii of G7: Dorian\n4 | G7      # extended dominant: V7 of C7sus\n5 | C7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5 | C7      # V7 in F, not resolving: natural tensions\n6 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7      # V7\u002Fii in F: the b13 is in the key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n\nsection: B\n# area: G major (B 1 – C 7)\n1 | Am7     # ii of the ii–V to G\n1 | D7      # V7 of G: natural tensions\n2 | GMaj7   # tonic: the 4th is in the key\n2 | CMaj7   # IV: the #4 is the key’s 7th\n3 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n4 | Em7     # ii of A7: Dorian\n4 | A7      # extended dominant: V7 of D7sus\n5 | D7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5 | D7      # V7 in G, not resolving: natural tensions\n6 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | E7      # V7\u002Fii in G: the b13 is in the key\n7 | Am7     # ii of the ii–V to G\n7 | D7      # V7 of G: natural tensions\n8 | G6      # tonic: the 4th is in the key\n\nsection: C\n1 | AbMaj7  # ♭IImaj7, borrowed from G Phrygian: Lydian (its ♯11 is in the key)\n2 | AbMaj7\n3 | Ebm7    # ii of Ab7: Dorian\n4 | Ab7     # extended ii–V: a side-step, its own key\n5 | CMaj7   # IV: the #4 is the key’s 7th\n6 | CMaj7\n7 | Am7     # ii of the ii–V to G minor\n7 | D7      # V7 of G: natural tensions\n# area: F major (C 8 – A2 8)\n8 | Gm7     # ii of C7: Dorian\n8 | C7      # V7\u002FI in F: natural tensions\n\nsection: A2\n1 | Gm7     # ii of the ii–V to F\n1 | C7      # V7 of F: natural tensions\n2 | FMaj7   # tonic: the 4th is in the key\n2 | BbMaj7  # IV: the #4 is the key’s 7th\n3 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n4 | Dm7     # ii of G7: Dorian\n4 | G7      # extended dominant: V7 of C7sus\n5 | C7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5 | C7      # V7 in F, not resolving: natural tensions\n6 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7      # V7\u002Fii in F: the b13 is in the key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n",1793575898470]