[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:people":3},"title: People\ncomposer: Jule Styne\nstyle: Ballad\nkey: Bb\nform: ABAC, 46 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1 – B 4)\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n3  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7     # ii of F7b9: Dorian\n4  | F7b9    # V7\u002FI in Bb: the b9 from the symbol\n5  | Eb\u002FBb   # IV: the #4 is the key’s 7th\n6  | BbMaj7  # tonic: the 4th is in the key\n7  | Am7     # ii of the ii–V to G minor\n8  | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n\nsection: B\n1  | GmMaj7  # from the symbol: minor-major 7th\n2  | GmMaj7\n3  | C7#11   # V7\u002FV in Bb: the #11 from the symbol\n4  | C7#11\n# area: F major (B 5–11)\n5  | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | C7      # V7 of F: natural tensions\n6  | FMaj7   # tonic: the 4th is in the key\n6  | F6      # tonic: the 4th is in the key\n7  | G\u002FB     # a non-tonic major chord: Lydian\n7  | Bbm6    # a minor sixth chord: Dorian\n8  | F\u002FA     # tonic: the 4th is in the key\n8  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n9  | Gm7     # ii of C7: Dorian\n10 | C7      # V7\u002FI in F: natural tensions\n11 | E\u002FF     # a non-tonic major chord: Lydian\n11 | F6      # tonic: the 4th is in the key\n# area: Bb major (B 12 – C 18)\n12 | Cm7     # ii of the ii–V to Bb\n12 | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n3  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7     # ii of F7b9: Dorian\n4  | F7b9    # V7\u002FI in Bb: the b9 from the symbol\n5  | Eb\u002FBb   # IV: the #4 is the key’s 7th\n6  | BbMaj7  # tonic: the 4th is in the key\n7  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7\u002FIV in Bb: natural tensions\n\nsection: C\n1  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n2  | Ebm7    # iv7 from the parallel minor: Dorian, its notes\n3  | Bb6     # tonic: the 4th is in the key\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7b9   # V7\u002FIV in Bb: the b9 from the symbol\n5  | EbMaj7  # the Bb7b9 before it makes Eb the key of the moment: the 4th is in the key\n6  | F7\u002FEb   # V7 of Bb: natural tensions\n7  | Bb\u002FD    # tonic: the 4th is in the key\n8  | Em7b5   # iiø7 of A7: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7      # V7\u002Fiii in Bb: b9 and b13 are in the key\n9  | Bb\u002FD    # tonic: the 4th is in the key\n9  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Cm7     # ii of the ii–V to Bb\n10 | F7      # V7 of Bb: natural tensions\n11 | BbMaj7  # tonic: the 4th is in the key\n12 | Fm7     # ii of the ii–V to Eb\n12 | Bb7     # V7\u002FIV in Bb: natural tensions\n13 | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n14 | Ab9#11  # ♭VII7 from the parallel minor: Lydian Dominant\n15 | Eb\u002FF    # IV: the #4 is the key’s 7th\n16 | Cm7     # ii of the ii–V to Bb\n16 | Cm7\u002FF   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n17 | Bb6     # tonic: the 4th is in the key\n18 | Cm7     # ii of the ii–V to Bb\n18 | F7      # V7 of Bb: natural tensions\n",1793575898354]