[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:pensativa":3},"title: Pensativa\ncomposer: Clare Fischer\nstyle: Bossa Nova\nkey: Gb\nform: AAB, 48 bars\n# analysis: 2026-10-31, rules v2; Gb\n\nsection: A\n# area: Gb major (A 1–5)\n1  | GbMaj7    # tonic: the 4th is in the key\n2  | G7#11     # tritone substitute: resolves down a half step to GbMaj7\n3  | GbMaj7    # tonic: the 4th is in the key\n4  | G7#11     # tritone substitute: resolves down a half step to GbMaj7\n5  | GbMaj7    # tonic: the 4th is in the key\n# area: D major (A 6–13)\n6  | Eb7#9     # tritone substitute: resolves down a half step to DMaj7; b9 and #9 from the symbol\n7  | DMaj7     # tonic: the 4th is in the key\n8  | Ab7       # tritone substitute: resolves down a half step to GMaj7#11\n9  | GMaj7#11  # from the symbol: #11\n10 | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | B7        # V7\u002Fii in D: the b13 is in the key\n11 | Em7       # ii of the ii–V to D\n11 | A7        # V7 of D: natural tensions\n12 | DMaj7     # tonic: the 4th is in the key\n13 | Abm7      # a borrowed minor chord: Dorian, its own key\n# area: Gb major (A 14 – B 4)\n14 | G7        # tritone substitute: resolves down a half step to GbMaj7\n15 | GbMaj7    # tonic: the 4th is in the key\n16 | F7        # VII7 in Gb, not resolving: b9 and b13 are in the key\nalt 16 | Cm7       # ii of F7: Dorian\nalt 16 | F7        # extended ii–V: a side-step, its own key\n17 | G7        # tritone substitute: resolves down a half step to GbMaj7\n18 | GbMaj7    # tonic: the 4th is in the key\n19 | Dbm7      # ii of Gb7: Dorian\n19 | Gb7       # V7\u002FIV in Gb: natural tensions\n@nav 16 Fine\n@ending 1 14 16\n@ending 2 17 19\n\nsection: B\n1  | CMaj7     # a non-tonic major chord: Lydian\n2  | Am7       # a borrowed minor chord: Dorian, its own key\n3  | FMaj7     # a non-tonic major chord: Lydian\n4  | E7#9      # ♭VII7 from the parallel minor: Lydian Dominant; b9 and #9 from the symbol\n# area: C major (B 5–8)\n5  | Dm7       # ii of the ii–V to C\n6  | G7        # V7 of C: natural tensions\n7  | CMaj7     # tonic: the 4th is in the key\n8  | Bm7       # a borrowed minor chord: Dorian, its own key\n# area: A major (B 8–14)\n8  | Bb7       # tritone substitute: resolves down a half step to AMaj7\n9  | AMaj7     # tonic: the 4th is in the key\n9  | AMaj7\u002FG#  # from the symbol: sus b9\n10 | F#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Bm7       # ii of the ii–V to A\n12 | E7b9      # V7 of A: the b9 from the symbol\n13 | AMaj7     # tonic: the 4th is in the key\n14 | AMaj7\n# area: Gb major (B 15–16)\n15 | Dm7       # ii of G7: Dorian\n16 | G7        # tritone substitute: resolves down a half step to GbMaj7\n@nav 15 D.C. al 1st ending\n",1793575898317]