[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:peel-me-a-grape":3},"title: Peel Me A Grape\ncomposer: Dave Frishberg\nstyle: Slow Swing\nkey: Dm\nform: AAB, 40 bars\n# analysis: 2026-10-31, rules v2; D minor\n\nsection: A\n1  | Dm7     # tonic minor: Dorian by convention\n1  | Eb7     # tritone substitute: resolves down a half step to Dm7\n2  | Dm7     # tonic minor: Dorian by convention\n2  | Eb7     # tritone substitute: resolves down a half step to Dm7\n3  | Dm7     # tonic minor: Dorian by convention\n3  | C7      # bVII7 in D minor, not resolving: natural tensions\n4  | Bb7     # tritone substitute: resolves down a half step to A7b9\n4  | A7b9    # V7 of D minor: b9 and b13 are in the key\n5  | Dm7     # tonic minor: Dorian by convention\n5  | Eb7     # tritone substitute: resolves down a half step to Dm7\n6  | Dm7     # tonic minor: Dorian by convention\n6  | Cm7     # ii of F7: Dorian\n6  | F7      # extended dominant: V7 of Bb7\n7  | Bb7     # bVI7 in D minor, not resolving: the #11 is in the key\n7  | Bdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n8  | F7#9\u002FC  # bIII7 in D minor, not resolving: b9, #9 and #11 from the symbol\n8  | F7#9    # extended dominant: V7 of Bb7; b9, #9 and #11 from the symbol\n9  | Bb7     # bVI7 in D minor, not resolving: the #11 is in the key\n9  | Bdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n10 | F7#9\u002FC  # bIII7 in D minor, not resolving: b9, #9 and #11 from the symbol\n10 | F7#9    # extended dominant: V7 of Bb7; b9, #9 and #11 from the symbol\n11 | Bb7     # bVI7 in D minor, not resolving: the #11 is in the key\n11 | Bdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n12 | F7#9\u002FC  # bIII7 in D minor, not resolving: b9, #9 and #11 from the symbol\n12 | F7#9    # tritone substitute: resolves down a half step to E7; b9 and #9 from the symbol\n13 | E7      # V7 of V7: the dominant of the dominant, on the way to D minor: b9 and b13 are in the key\n14 | A7b9    # V7 of D minor, the chain's last link: b9 and b13 are in the key\n15 | Dm7     # tonic minor: Dorian by convention\n15 | C7      # bVII7 in D minor, not resolving: natural tensions\n16 | Bb7     # tritone substitute: resolves down a half step to A7b9\n16 | A7b9    # V7 in D minor, not resolving: b9 and b13 are in the key\n17 | Bb7     # tritone substitute: resolves down a half step to A7\n17 | A7      # V7 of D minor: b9 and b13 are in the key\n17 | Dm7     # tonic minor: Dorian by convention\n@nav 17 Fine\n@ending 1 16\n@ending 2 17\n\nsection: B\n1  | D7b9    # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n2  | D7b9\n3  | Gm      # iv: Dorian, the key’s own notes\n3  | D7b9    # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n4  | Gm7     # ii of C7: Dorian\n4  | C7      # tritone substitute: resolves down a half step to B7\n5  | B7      # extended dominant: V7 of E7b9\n5  | E7b9    # II7 in D minor, not resolving: b9 and b13 are in the key\n6  | B7      # extended dominant: V7 of E7b9\n6  | E7b9    # II7 in D minor, not resolving: b9 and b13 are in the key\n7  | Bb7     # tritone substitute: resolves down a half step to A7b9\n8  | A7b9    # V7 of D minor: b9 and b13 are in the key\n@nav 7 D.C. al 2nd ending\n",1793575898236]