[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:pedacinhos-do-ceu":3},"title: Pedacinhos do Céu\ncomposer: Waldir Azevedo\nstyle: Bossa Nova\nkey: G\nform: AABB, 64 bars\n# no recording: first issued on a 1951 Continental 78 (Pisa mansinho \u002F Pedacinho do céu); no confident first LP of that side (Waldir's 1955 10-inch LP re-recorded his hits)\n# analysis: 2026-10-28, rules v2; G\n\nsection: A\n# area: G major (A 1 – B 18)\n1  | G       # tonic: the 4th is in the key\n2  | G\n3  | E7      # V7\u002Fii in G: the b13 is in the key\n4  | E7\n5  | Am      # ii: Dorian, the key’s own notes\n6  | Am\n7  | Cm      # iv from the parallel minor: Dorian, its notes\n8  | D7      # V7 of G: natural tensions\n9  | G       # tonic: the 4th is in the key\n10 | Bbdim7  # passing diminished: a rootless dominant ♭9\n11 | Am      # ii: Dorian, the key’s own notes\n12 | Am\n13 | Am\n14 | Am\n15 | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | D7      # extended dominant: V7 of G7\n17 | G7      # V7\u002FIV in G: natural tensions\n18 | G7\n19 | C       # the G7 before it makes C the key of the moment: the 4th is in the key\n20 | Eb6     # ♭VI6, borrowed from G minor: Lydian (its ♯11 is in the key)\n21 | G       # tonic: the 4th is in the key\n22 | Eb6     # ♭VI6, borrowed from G minor: Lydian (its ♯11 is in the key)\n22 | D7      # V7 of G: natural tensions\n23 | G       # tonic: the 4th is in the key\n23 | Cm      # iv from the parallel minor: Dorian, its notes\n24 | G       # tonic: the 4th is in the key\n@nav 24 Fine\n@ending 1 9 16\n@ending 2 17 24\n\nsection: B\n1  | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Em\n2  | E7      # V7\u002Fii in G: the b13 is in the key\n3  | Am      # ii: Dorian, the key’s own notes\n4  | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n5  | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Em\n7  | C#dim7  # passing diminished: F#7♭9 without its F#, the B7's dominant; not functioning diatonically: the symmetric scale\n8  | B7      # III7 in G, not resolving: b9 and b13 are in the key\n9  | G#dim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n10 | E7      # V7\u002Fii in G: the b13 is in the key\n11 | Am      # ii: Dorian, the key’s own notes\n12 | Am\n13 | F#7     # extended dominant: V7 of B7\n14 | F#7\n15 | B7      # III7 in G, not resolving: b9 and b13 are in the key\n16 | B7\n17 | Am      # ii: Dorian, the key’s own notes\n17 | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n18 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: E major (B 19–20)\n19 | F#m     # ii of the ii–V to E\n19 | B7      # V7 of E: natural tensions\n20 | E       # tonic: the 4th is in the key\n20 | Eb      # a non-tonic major chord: Lydian\n# area: G major (B 21)\n21 | D7      # V7 of G: natural tensions\n@nav 21 D.C. al Fine\n@ending 1 12 16\n@ending 2 17 21\n",1793484802409]