[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:passarim":3},"title: Passarim\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: Gm\nform: ABC, 41 bars\nrecording: Antonio Carlos Jobim; Passarim; Verve; 1987\nyoutube: MErxRb6fD58\n# analysis: 2026-10-28, rules v2; G minor\n# recording: with the Nova Banda, prod. Paulo Jobim and Jaques Morelenbaum; Jobim's own first recording (rule 1); sources: Wikipedia, MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, album Passarim, 3:37\n\nsection: A\n# area: G minor (A 1–18)\n1  | D7sus    # V7sus4 of G7sus: the b13 is in the key\n2  | D7sus\n3  | G7sus    # static sus: Mixolydian\n4  | GmMaj7   # from the symbol: minor-major 7th\n5  | Gm7      # tonic minor: Dorian by convention\n5  | Gb7      # tritone substitute: resolves down a half step to FMaj7\n6  | FMaj7    # ♭VII of G minor: F major, the notes of G Dorian\n6  | E7       # tritone substitute: resolves down a half step to EbMaj7\n7  | EbMaj7   # a non-tonic major chord: Lydian\n8  | EbMaj7\n9  | Am7b5    # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7b9     # V7 of G minor: b9 and b13 are in the key\n11 | Gm7      # tonic minor: Dorian by convention\n12 | Cm7      # iv: Dorian, the key’s own notes\n13 | Gm7      # tonic minor: Dorian by convention\n14 | Cm7      # iv: Dorian, the key’s own notes\n15 | Gm7      # tonic minor: Dorian by convention\n16 | Cm7      # iv: Dorian, the key’s own notes\n17 | Gm7      # tonic minor: Dorian by convention\n18 | Cm7      # iv: Dorian, the key’s own notes\n# area: F major (A 19 – B 2)\n19 | Gm7      # ii of the ii–V to F\n@coda 19\n\nsection: B\n1  | Gm7\n1  | C7       # V7 of F: natural tensions\n2  | FMaj7    # tonic: the 4th is in the key\n# area: G minor (B 3–7)\n3  | Fm7      # ii of the ii–V to Eb\n3  | Bb13     # V7\u002FbVI in G minor: natural tensions\n4  | EbMaj7   # a non-tonic major chord: Lydian\n5  | D13b9    # V7 of G minor: the b9 is in the key, the 13 from the symbol\n6  | Gm7      # tonic minor: Dorian by convention\n7  | Em7\u002FA    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: D major (B 7–10)\n7  | A13      # V7 of D: natural tensions\n8  | DMaj9    # tonic: the 4th is in the key\n9  | Em7      # ii of the ii–V to D\n9  | A7       # V7 of D: natural tensions\n10 | DMaj7#5  # from the symbol: #5\n# area: G minor (B 11 – C 3)\n11 | Gm7      # ii of the ii–V to F\n11 | C7       # V7\u002FbVII in G minor: natural tensions\n12 | FMaj7    # ♭VII of G minor: F major, the notes of G Dorian\n13 | BbMaj7   # bIII of G minor: the relative major itself\n13 | Gm       # tonic minor: Dorian by convention\n\nsection: C\n1  | Dm7      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n1  | E\u002FD      # a non-tonic major chord: Lydian\n2  | Eb\u002FD     # a non-tonic major chord: Lydian\n2  | D        # a non-tonic major chord: Lydian\n3  | EbMaj7   # a non-tonic major chord: Lydian\n# area: D major (C 4–9)\n4  | Em7b5    # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | A7b13    # V7 of D: the b13 from the symbol\n6  | DMaj7    # tonic: the 4th is in the key\n7  | DMaj7\n8  | Dm7      # a borrowed minor chord: Dorian, its own key\n8  | E\u002FD      # a non-tonic major chord: Lydian\n9  | Eb\u002FD     # ♭II, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n9  | D        # tonic: the 4th is in the key\n\nsection: Coda\n# area: C major (Coda 1–2)\n1  | Dm7      # ii of the ii–V to C\n1  | G7       # V7 of C: natural tensions\n2  | CMaj7    # tonic: the 4th is in the key\n# area: G minor (Coda 3–6)\n3  | Cm7      # ii of the ii–V to Bb\n3  | F13      # V7\u002FbIII in G minor: natural tensions\n4  | BbMaj7   # bIII of G minor: the relative major itself\n5  | A7b13    # V7\u002Fv in G minor: b9 and b13 are in the key\n6  | Dm7      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n# area: A major (Coda 7–10)\n7  | Bm7      # ii of the ii–V to A\n7  | E13      # V7 of A: natural tensions\n8  | AMaj9    # tonic: the 4th is in the key\n9  | Bm7      # ii of the ii–V to A\n9  | E7       # V7 of A: natural tensions\n10 | AMaj7    # tonic: the 4th is in the key\n# area: C major (Coda 11–20)\n11 | Dm7      # ii of the ii–V to C\n11 | G7       # V7 of C: natural tensions\n12 | CMaj7    # tonic: the 4th is in the key\n13 | FMaj7    # IV: the #4 is the key’s 7th\n14 | Dm7      # ii: Dorian, the key’s own notes\n15 | Am7      # ii of D7sus: Dorian\n16 | Am7\n17 | D7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n18 | D7sus\n19 | G7       # V7 in C, not resolving: natural tensions\n19 | A7       # VI7 in C, not resolving: the b13 is in the key\n20 | B7       # VII7 in C, not resolving: b9 and b13 are in the key\n# area: F# major (Coda 20–21)\n20 | C#7      # V7 of F#: natural tensions\n21 | F#       # tonic: the 4th is in the key\n@coda 1\n",1793484802395]