[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:parisian-thoroughfare":3},"title: Parisian Thoroughfare\ncomposer: Bud Powell\nstyle: Up Tempo Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–8)\n1 | FMaj7  # tonic: the 4th is in the key\n2 | Gm7    # ii of C7: Dorian\n2 | C7     # V7\u002FI in F: natural tensions\n3 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7     # V7\u002Fii in F: the b13 is in the key\n4 | Gm7    # ii of the ii–V to F\n4 | C7     # V7 of F: natural tensions\n5 | FMaj7  # tonic: the 4th is in the key\n6 | Gm7    # ii of the ii–V to F\n6 | C7     # V7 of F: natural tensions\n7 | FMaj7  # tonic: the 4th is in the key\n8 | Gm7    # ii of C7: Dorian\n8 | C7     # tritone substitute: resolves down a half step to Bm7\n# area: A major (A1 9 – B 5)\n9 | Bm7    # ii of the ii–V to A\n9 | E7     # V7 of A: natural tensions\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | AMaj7  # tonic: the 4th is in the key\n2 | Bm7    # ii of the ii–V to A\n2 | E7     # V7 of A: natural tensions\n3 | AMaj7  # tonic: the 4th is in the key\n4 | Am7    # ii of D7: Dorian\n4 | D7     # extended ii–V: a side-step, its own key\n5 | CMaj7  # ♭IIImaj7, borrowed from A minor: Lydian (its ♯11 is in the key)\n5 | Am7    # a borrowed minor chord: Dorian, its own key\n# area: F major (B 6 – A2 8)\n6 | Dm7    # ii of G7: Dorian\n6 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n7 | C7     # V7 in F, not resolving: natural tensions\n8 | C7b5   # V7 of F: the #11 from the symbol\n\nsection: A2\n1 | FMaj7  # tonic: the 4th is in the key\n2 | Gm7    # ii of C7: Dorian\n2 | C7     # V7\u002FI in F: natural tensions\n3 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7     # V7\u002Fii in F: the b13 is in the key\n4 | Gm7    # ii of the ii–V to F\n4 | C7     # V7 of F: natural tensions\n5 | FMaj7  # tonic: the 4th is in the key\n6 | Gm7    # ii of the ii–V to F\n6 | C7     # V7 of F: natural tensions\n7 | FMaj7  # tonic: the 4th is in the key\n8 | Gm7    # ii of the ii–V to F\n8 | C7     # V7 of F: natural tensions\n",1793575898091]